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Poll

Caprices Op.116. Which one is the most difficult?

Op 116-1
1 (33.3%)
Op 116-3
1 (33.3%)
Op 116-7
1 (33.3%)

Total Members Voted: 3

Topic: Brahms experts: Caprices Op.116. Which one is the most difficult?  (Read 6215 times)

Offline presto agitato

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Hello

I love those caprices.
They are not easy at all and I'd like to learn them in order of difficulty.

Could you please tell me your opinions please?

Thanks
The masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the cocomposer what he ought to have composed.

--Alfred Brendel--

Offline retrouvailles

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Just like with any other difficulty thread, this is completely subjective. Sit down with the sheetmusic, study it a bit, sit down at the piano, and try it out for yourself. That's the only way your question will be answered. Hearing other people's opinions won't mean much, for everyone has different musical abilities.

Why only 1, 3, and 7 in the poll, though?

Offline presto agitato

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Why only 1, 3, and 7 in the poll, though?

Op116: 4 Intermezzos + 3 Caprices.
The masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the cocomposer what he ought to have composed.

--Alfred Brendel--

Offline john11inc

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No. 1.  The left hand part is notorious.
If this work is so threatening, it is not because it's simply strange, but competent, rigorously argued and carrying conviction.

-Jacques Derrida


https://www.youtube.com/user/john11inch

Offline presto agitato

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Re: Brahms experts: Caprices Op.116. Which one is the most difficult?
Reply #4 on: February 14, 2011, 04:29:26 AM
More opinions?
The masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the cocomposer what he ought to have composed.

--Alfred Brendel--
For more information about this topic, click search below!

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The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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