I haven't played this piece but one suggestion just from listening, is that the triplets seem to sound better more articulated, and less voiced towards the upper note.
I've done them, and I'm curious if you did all three. If not, what followed this first one? It is certainly the most intriguing of the set, but I feel them as one opus and wonder if you've done the other two. The last one is especially problematic, musically-wise.
I would do the middle section with a little more liberty. Take the turn more melodically and not so flippant. I feel the runs in the second part like a sort of cadenza. wait a moment on the first note before flying up and down.
bravo! you've presented this piece very well!