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Topic: Bach - Toccata and Fugue in g minor, BWV915  (Read 11129 times)

Offline andhow04

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Bach - Toccata and Fugue in g minor, BWV915
on: February 10, 2011, 12:35:03 PM
here's a recording from a live concert of a not much played toccata and fugue (original to a manual instument, not a transcription).  the fugue has a subject of rising fourths similar to beethoven's op.110 but much different character... the toccata part has a very attractive pastoral-like section, and a dramatic virtuoso flourish at the beginning that comes back at the end.

the fugue is very triky and can really bust your hand, but it is exciting.  enjyo!

Offline furtwaengler

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Re: Bach - Toccata and Fugue in g minor, BWV915
Reply #1 on: February 11, 2011, 03:14:14 AM
I love the piece. I'd never heard it before. It's wonderful. And masterful playing to boot, plunging into the depths. Also to the long list of accomplishments, add a most excellent Bach (but this should not surprise anybody!). What can't you do?
Don't let anyone know where you tie your goat.

Offline scottmcc

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Re: Bach - Toccata and Fugue in g minor, BWV915
Reply #2 on: February 12, 2011, 01:19:54 PM
man, the audition room is full of great music lately!  andhow, you continue to impress!  I am also unfamiliar with this piece, which surprises me because it seems so very exemplary of Bach's genius.  Keep up the great work!

Offline birba

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Re: Bach - Toccata and Fugue in g minor, BWV915
Reply #3 on: February 12, 2011, 03:37:32 PM
Congratulations!  It was an exemplary performance of a not-so-accessible Bach.  Really wonderful.  It was very French, in a certain way.  Light jeu-perlé touch.  Personally I prefer a heavier more stately sound to Bach.  For example the dotted rythms which abound here.  I would like to hear more evenness between the up and down beat.  How can I explain myself... not tuh-dah, tuh-dah, etc. but more dah-dah, dah-dah, etc.  In the opening bars of the main theme in the fugue.  Hear the direction of the voice going from g to e-flat - playing the 16th notes with the same tension as the dotted 8ths.
But to hell with this - it was really a splendid performance!
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The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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