Perfect piano concerto?Ginastera's Piano Concerto No. 2 without the 3rd movement.
No, just no. I happen to love the third movement. Remove the introduction to the finale if anything.
The Schumann concerto without the 1st, 2nd & 3rd movement.
Nah - for me, the Brahms Piano Concerto No. 1 is already perfect enough. To me the melodies and passages connecting them seems to have the perfect cohesion, joining them all brilliantly together. The Climax at the end of the 1st movement just rocks, same with the end of the third movement.
Yes, just yes. The third movement is easily the weakest movement in the piece. The 4th movement (is that what you refer to when you say the "introduction to the finale"? [also, the 4th movement is the entire cadenza]) is probably one of the most powerful segments of the work, and is a necessary one. Removing it makes the fifth movement (is that what you mean by the "finale"?) completely ineffective. It's the contrast from the completely atonal cadenza to the F minor of the 5th movement that makes the latter so compelling.Also, you yourself once said that you felt the 2nd and 3rd movements were the weakest. Or are you having some sort of confusion about the movement numberings? Seems entirely possible.
Diz is truely ma favorite Pinocchio concern: Alkan - Solo ConcertoSorabji - Solo ConcertoFinnissy - Solo Concerto No. 4
I think you and I will get along JUST fine. What you said is the absolute truth, and I couldn't have said it any better myself, friend!
Hey - Good to know. We should chat more often. Glad someone hears the same thing I do in the Brahms. Out of curiousity - what are your thoughts on his second piano concerto?
And I don't know about argerichfan, but I also am in mad love with the Brahms symphonies!
Damn - I've never really listened to any of Brahms Symphonies... sound intriguing.
Alkan - Solo ConcertoSorabji - Solo ConcertoFinnissy - Solo Concerto No. 4
Just to be on the safe side, I'd also just go ahead and remove the title. Just _________.
I am almost certain that only one pianist has ever played all three of these works and, enterprising and challenging though his programmes often are, I do not quite envisage him playing all of these in succession in a single recital
I do not quite envisage him [Jonathan Powell] playing all of these [the solo piano concertos of Alkan, Sorabji and Finnissy (No. 4)] in succession in a single recital
Because?