luke,
i must agree with omar: there is some problem with your repertory. i mean, waldstein?!?
anyway, there is room for improvement. the solfeggietto is probably a bad idea. then, i think that the cakewalk by itself (without the rest of the suite), and specially after the chopin is not interesting.
if you really are confortable with bach, it is a great choice. if you want to go standard, use it to open your section; if not, in another position.
i'll have a serious doubt about the sense of isolated movements in a situation like this (which applies to the mozart and debussy, but not to chopin). i think the idea is to play complete works: if you want to play a sonata, you may use the second round.
so, notice that i am brainstorming here, a prelude and fugue and a couple of etudes by chopin are great (though very standard) options. i will choose a lengthy, 20th century piece to complete the repertory:
- bach
- 20th century work
- chopin
that would be nice and dandy. for the second round, half an hour means that you are expected to play a complete major work, most likely a sonata, or - as second option - a suite, a theme and variations, or a huge piece. i would go with the sonata, specially if it is your first time around. definitely not the waldstein, neither mozart's 331 for that matter. what entire sonatas do you play?
well, many ideas. what do you think about it?
best regards,
jay.