Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Repertoire
»
Concert pianists and sight reading
Print
Pages: [
1
]
Go Down
Topic: Concert pianists and sight reading
(Read 4497 times)
qpalqpal
PS Silver Member
Sr. Member
Posts: 259
Concert pianists and sight reading
on: July 04, 2011, 10:39:15 PM
Are concert pianists like Rubenstein, Horowitz, Ashkenazy, good at sight reading, better than a normal concert pianist? They are good performers but do they read well?
Logged
Working on:
Bach Invention 7 (also Tureck's book)
Clementi Sonatina 3
Rachmaninoff Moment Musicaux no. 3
Skrjabin Prelude op.11 no.4
Joplin The Favorite Rag
sevencircles
PS Silver Member
Sr. Member
Posts: 913
Re: Concert pianists and sight reading
Reply #1 on: July 08, 2011, 06:59:56 AM
The pianists you mentioned are and were all very good sightreaders. Ashkenazy in particular.
They were propably better then most "normal" pianists but I doubt that someone like Rubinstein was able to read the most demanding contemporary scores for instance
Some of the greatest pianists are not good sightreaders at all actually. The best examples are propably Lazar Berman, Josef Hofmann and Radu Lupu.
Berman in particular was a terrible sightreader and possibly one of those pianists that learned most of his repertoire by ear.
On the other end of the spectrum we have Ian Pace and John Ogdon that is (or was) able to sightread even the hardest avant-garde and new complexity works at first glance and play them at a slow tempo (if they could coordinate their hands and do the stretches needed etc.)
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up