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Topic: Chopin, March Funebre. Fingers to short  (Read 1431 times)

Offline frenchfry

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Chopin, March Funebre. Fingers to short
on: July 20, 2011, 09:49:20 AM
I'm trying to learn Chopin's March Funebre and have reached a point where my fingers seem to be too short. I enclosed a screen shot of that left hand chord.

What should I do in a situation like that? Should I only play the lower part (two notes) of the chord? The upper part? The middle note only? Arpegiate it (is what you call it when you play the notes of the chord individually)?

Thank you in advance for you help.

Offline bleicher

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Re: Chopin, March Funebre. Fingers to short
Reply #1 on: July 20, 2011, 10:10:13 AM
Most people's hands aren't big enough to stretch a 10th. I would arpeggiate it. I'd spend a while experimenting to work out whether it sounds better to play all three notes separately, or to play D and A at the same time followed by F, and whether it's best to do have the extra note before or after the beat.

Offline yodaofpiano

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Re: Chopin, March Funebre. Fingers to short
Reply #2 on: July 21, 2011, 02:59:12 AM
Hi,

Is it just your left hand fingers that are too short, because maybe you could play the top f in the bass with your right hand? can your right hand reach a tenth

Offline quantum

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Re: Chopin, March Funebre. Fingers to short
Reply #3 on: July 21, 2011, 04:49:36 AM
Roll or arpeggiate the chords. 

In this case the top notes of the RH and the top notes of the LH form a line.  Playing the LH F with the RH may not be the easiest solution to bringing out that line. 
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach

Offline _nisa_

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Re: Chopin, March Funebre. Fingers to short
Reply #4 on: July 21, 2011, 04:24:50 PM
Usually, people tend to say that it is important to play all the notes to preserve the harmony of the piece.

When I learned this piece, I was more worried about conserving the characteristical rythm of the march, because it is what allows to express the dark and opressing atmosphere that motivated me to learn it. I was skeptical about arpeggiating the chord because it would kill the rythm by adding beats.

In fact, I tried and found it satisfying, as it is not killing the rythm and it is conserving all the harmonies.

Hope you will enjoy the piece as much as I do,

Nisa
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