Look at:https://www.pianostreet.com/smf/index.php?topic=32862.0It hasn't been looked at for a while.Post any midis in this forum only, please!I am planning to make one 4 hour midi file ofall of your midi's so you can all access it.I will also edit, so try todo your best. All the best,steinway_d
I reckon steinway_d invented this topic just to wind Alistair up.
"Er - please don't. Thank you. There's no need in any case, given that almost all the recordings of his work that have been issued over the past 20+ years are all still readily available, as are all the scores, so it's not as though people don't already have easy access to this material.Best,Alistair"I still want to do it anyways.Thanks,steinway_d
Sorry for reviving this, but just to let you know, I have numerous MIDIs of Sorabji's music, full MIDIs and excerpts. If you want it, you can't get it because Alistair probably forbids any kind of act like that.
Against the law to post midis? Please!
What IS illegal, however, is the uploading to public areans of music, whether in MIDI form or peformed by human musicians, where copyright in the music itself and/or the performances and/or the recordings / broadcasts apply but no relevant consent has been sought in advance from the copyright owner/s.
So should everyone playing their rendition of Disney music on youtube should stop? Any busker playing copyright music in public should be worried? We don't see legal action taken in these cases because they are such small fry. It would waste money to go after such small things If someone is making a lot of money then it might be worth your time.
As I presume you to know, anyone who uploads copyright music to YouTube without first obtaining written permission to do so risks having their uploads taken down by YouTube which will do this promptly upon receipt of evidence from the copyright holder/s or his/her/their legal representatives and YouTube may exercise its right to close uploaders' channels upon repeat offences; it would therefore appear that YouTube takes a different slant on intellectual property law and its operation than you seem to do. "Dogperson"'s response sums up the situation well; I recommend that you take due notice of it. Thank you.Best,Alistair
From the audition room instructions:"Recordings of your own performances of copyright protected pieces by contemporary composers are OK since we have a licens for providing them."So presumably it would be acceptable to post midis there, unless a midi doesn't count as a "performance"?
In reality, YT will either monetise the upload or block it, depending on the option specified by the copyright holder (assuming it correctly detects the content contained within the upload, which is far from a given). There is plenty Sorabji on YT.
In practice, I've never known YT to monetise such uploads; I have only ever known them to be blocked and, on occasion, the uploader's channel to be likewise. There's a whole lot less Sorabji on YT than was once the case but the appearance of any there does not necessarily clarify whether due permissions were given for it.I still maintain that uploads of MIDIS of music that is available in live performances are of questionable purpose (which is a different subject); likewise, uploads of MIDIs of music that has yet to be performed by live musicians come with the potential danger that listeners will come away from them with the impression that they are a credible representation of how the music should sound - which is why any such MIDIs are best shared privately rather than in the public arena.Best,Alistair
Ok, I'm speaking from direct personal experience in that there is material on my channel which has also been released commercially: consequently anything of mine which has been identified as such (ranging from "trailer" type sample videos to live performances which in fact *aren't* the same recordings) has been monetised. I suspect differing policies by different entities here.I agree re midis, particularly crudely done ones, giving a false impression of the merit of the music, but that is another question altogether.
That copyright holders don’t take legal action against the ‘small fry’ doesn’t change that the act was illegal. Legality is based on laws, not whether you will be caught and prosecuted.
As I presume you to know, anyone who uploads copyright music to YouTube without first obtaining written permission to do so risks having their uploads taken down by YouTube which will do this promptly upon receipt of evidence from the copyright holder/s or his/her/their legal representatives and YouTube may exercise its right to close uploaders' channels upon repeat offences; it would therefore appear that YouTube takes a different slant on intellectual property law and its operation than you seem to do.
My point was that it is often not worth the time and effort to do so, there are thousands upon thousands of people posting copyright music all over the internet from powers which have the money to waste to chase these things but they don't. What are they going to do? Sue anyone who dares sing something thats on the charts and posts it online, take down the 5 year old who dares play something on the piano thats copyright and posts it online, run and tackle all those buskers who sing out in public? Like I said, good luck chasing the small fry, you'd want to have a lot of money/time for such a cause if you want to chase it up everywhere.
Well good luck wasting money chasing them that was my point lol.
But your "point" would be valid only in cases where money is spent in order to do this; applying to have copyright material taken down from YT and elsewhere costs nothing.
That has so far cost me nothing but has often achieved the necessary results. Your point about money is therefore invalid.
"Time is money" therefore my post about money is quite valid also Dog mentioned prosecution which of course costs money.
Sure, but I've never needed to prosecute and the amount of time involved in each such takedown application is a mere few seconds, so no problem.
The task to locate each case also takes time and then to work out if they have authority or not, in your case there are many uploads of Sorabji's work all over the internet in different media formats so I guess you also dont mind about those small fry (which is a good thing since his music deserves more attention) though it would be hard to imagine any other type. Best, Lostinidlewonder
Yes, they come and they go but, as I mentioned, the amout of time involved is minimal
I have no objection to small extracts being uploaded
but when whole works on commercial recordings are uploaded, that's quite another matter.
What's most important is that there are now more than 40 CD products of or including Sorabji's music out there available for purchase.
Extracts that people play themselves or you mean from cds actually that are for sale?
I don't think that would be good to post commecial recordings, I was talking more about no commercial recordings people have made themselves and upload them for others to listen to.
Digital formats seem better these days, CD sales are so low these days compared to early 2000 when it was quite large, it is some 10x smaller market now.
Either; "fair use" is "fair use" and it can encourage listener interest so that they can go out and buy the CDs.
It's commercial recordings and broadcasts that most concern me; if an artist wants to upload his/her own performance and requests permission to do so, that's quite another matter.
Posting commercial recordings in their entirety disincentivises purchases, which is obviously against the record companies' interests.
That is at least in part because complete CDs are so often posted on facilities such as YouTube; who's going to fork out $40 for the 3-CDs-for-the-price-of-2 Fourth Piano Sonata of Sorabji when they can get it for free on YouTube (as was the case before it got taken down some time ago)?