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Topic: Chopin Prelude No.4  (Read 2185 times)

Offline hermanberntzen

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Chopin Prelude No.4
on: August 02, 2011, 10:57:33 PM
Is Chopin Prelude no. 4 a piece suited for Live Performance?
Or does it sounds to Easy or ''exercisy'' ?

Online lelle

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Re: Chopin Prelude No.4
Reply #1 on: August 02, 2011, 11:33:14 PM
what do you think yourself? It's certainly not easy to pull off well musically

Offline hermanberntzen

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Re: Chopin Prelude No.4
Reply #2 on: August 02, 2011, 11:35:52 PM
I personally think it's performable but it's very short and i Don't know what other think about it i that way .. Of Course it's variated from People to people but Probaly it's not many that perform that piece :)

Offline ryan2189

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Re: Chopin Prelude No.4
Reply #3 on: August 06, 2011, 04:44:23 AM
What kind of setting are you performing in?

In a setting with other performers where you are only expected to play for a limited amount of time, I think it's perfectly acceptable.

In the case of a personal concert where only you are performing, I believe the standard is to play all the preludes together as a set.

But it all depends on the situation.

Offline liszt_ani_rach

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Re: Chopin Prelude No.4
Reply #4 on: August 09, 2011, 12:10:00 PM
it is definitely a beautiful piece but it isn't the sort of piece suitable for a crowd. chopin's nocturnes would be good for live performances!

Offline pianowolfi

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Re: Chopin Prelude No.4
Reply #5 on: August 09, 2011, 05:18:51 PM
Not suitable for a crowd? :o I'd say that depends a lot of how you play it, and understand it, among other factors.
For sure there is nothing like "too easy" or "too exercisy" in this piece. I can't even imagine how anybody could see it like this. I mean, does the sense and essence of a good and profound piece of music have to do with concepts like "easy and hard" anyway? I don't really believe so.

Offline svetmira

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Re: Chopin Prelude No.4
Reply #6 on: August 11, 2011, 06:40:26 PM
Of course, it's mainly up to you, but I thought I'd share my (albeit amateur) experience.

I performed it a few months ago in a group recital... with mixed results. People seemed a little taken aback by the mood of the piece (didn't quite fit with the rest of the programme - not my fault). On the other hand, this very fact ensured that, after the initial shock, I got their attention.
 
On the other hand, watching the video I realized that while it was techinically perfect (something not so hard to achieve) it lacked the musicality I had accomplished in the practice room. Nerves! My fault. But the result was it did sound a little "exercisy"... at least to the untrained ears of my partner.

Good luck!

Offline hermanberntzen

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Re: Chopin Prelude No.4
Reply #7 on: August 15, 2011, 11:46:31 PM
Some reasons i would play this piece and not Chopin Nocturne 21 is beacause of nerves , with nerves i can't do the runs that are in the Nocturne , i would feel more safe with the Prelude no.4.
I'm also thinking of Traumerei by Schumann , i know that piece suits for performance.

Offline megadodd

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Re: Chopin Prelude No.4
Reply #8 on: October 14, 2011, 09:49:38 AM
This piece is performed each day every year that Chopin died along with prelude no.6 and mozarts requiem. This was Chopins wish to have for music at his funeral, so I don't see why it won't be a good performance piece, since it actually was one of Chopins last wishes for it to be performed. A little longshot, but you get me ;)
Repertoire.
2011/2012

Brahms op 118
Chopin Preludes op 28
Grieg Holberg Suite
Mendelssohn Piano trio D minor op 49
Rachmaninoff Etude Tabelaux op 33 no 3 & 4 op 39 no 2
Scriabin Preludes op 1

Offline werq34ac

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Re: Chopin Prelude No.4
Reply #9 on: October 15, 2011, 10:53:42 PM
Some reasons i would play this piece and not Chopin Nocturne 21 is beacause of nerves , with nerves i can't do the runs that are in the Nocturne , i would feel more safe with the Prelude no.4.
I'm also thinking of Traumerei by Schumann , i know that piece suits for performance.

Both the prelude and Traumerei require an enormous amount of musical maturity to perform well. Do not underestimate their simplicity. Nocturne 21 is much easier to perform than the prelude and Traumerei.
Ravel Jeux D'eau
Brahms 118/2
Liszt Concerto 1
Rachmaninoff/Kreisler Liebesleid
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Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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