Hopefully your practises are going well as well!
I have moved off of Chopin's 72-1 and have learned a lot from it and it certainly could use a lot more work. I believe I will continue to work some more just on the third page as a study. The problem is that it isn't striking home with me, I can't get warm and fuzzy feeling wth it and when that happens with a piece I start to disconnect and next I really don't look forward to working on it. I had hoped that as I worked on it I would get more connection not less.The good news is I've Started his Nocturne Op9 no2, right away I feel a connection with this one. It doesn't have the runs that I wanted to have as a work in itself but that's ok.
It's interesting how different people are...I find op9 2 rather boring, but 72-1 is like it was made for me...even when I had a really difficult time practicing during the last two weeks this piece has kept me into the piano...I've just reached the 3rd page and I hope tomorrow my teacher will convince me that I can manage those runs...
I'm also working on learning .....Liszt Transcendental Etude no.4 'Paysage'
You might start with it's name, or number.Paysage is 34 is Mazeppa
And everything else ive been working on.
Which apparently doesn't include the use of apostrophes.WB BTW
I've ditched the Bach, it was just making me annoyed at the piano. So I'm happily doing hours of work on the Chopin Nocturne (the technical problems seem to be quite manageable with some work) and a little bit on the pieces my teacher gave me (they are like vegetables, not really tasty but obviously good for me)..My hands have been able to relax more lately (even the pinky), now I would just need to get my head to do the same...I was completely out there somewhere on today's lesson
I've ditched the Bach,
Maybe you should try this book I'm reading. I haven't gotten far enough yet to give a solid recommendation but it does deal with the mind obviously, since mind is in the title ! It works on separating all the "bad for us" thoughts that creep in during practice or performance. Even at the pro level this is a problem, so don't feel alone up there in your north lands outin.. It's not piano specific but easy enough to relate to non the less, even for office work I suppose..
I wonder if there's something there that is actually useful? I already know much about where my problems come from, I just cannot find a way to change the way my brain works. I know quite a lot about brain research and the implications of imbalance between brain areas. I guess chemically altering the brain might work but I am not willing to do that just to learn to play piano. The neurological things alone of course do not explain everything, they have caused psychological issues as well. Nothing I have tried so far has worked out.
Memorizing ballade no 4Almost memorized ondine. The hand crossing is really hard here. Will try to record some more stuff soon.
Today I got this insane craving to play some Hanon...Don't know what came over me... so just did half an hour of mindless drilling...
2 days until my recital. For this recital, I had to learn moonlight sonata within 2 or 3 weeks...scary sh**! and the gershwin preludes. Had to and still am polishing Chopin etude 10.3, 25.5 and 25.12 and Ballade no 2. It is really annoying working on things I need to play through, until I make no mistakes. That takes a little more time than 3 weeks! The other stuff is just a Debussy and a Chopin nocturne, they pass. And, the ballade no 4. I have been stuck on the last 2 pages for a while now...I played through these last 2 pages once, and am almost to the last page in memorization. Will be the first thing I do after recital. Otherwise, I have been playing through it up to that point, then working on more of the end. In 2 weeks, another recital. Will add mephisto valse and scherzo no 1 to the program, for the sake of polishing the pieces I finished and getting them out there. But I do still feel pretty "green" as in, not quite ripe. haha...
A lot of work you have! Good luck...but I guess luck has little to do with it