Hi Enzo,
Nice to see you back here at PS posting recordings!
This Etude in E flat minor is my favorite of all the Etudes Tableaux. What I liked best about your rendition was the wonderful feeling and expression that you brought to this late romantic music. I totally enjoyed listening! Bravo!
I'll just offer one suggestion if I may: On the second to last page where the treble is marked dolce with the dynamic marking p, I sense that the left hand is playing its figuration a little too loud to the point of being intrusive in the RH melodic line there. The right hand melody needs to soar above the undulating figuration in the bass. The initial problem is that he RH is up in the treble where the tone decay in those higher notes is faster than that of the bass strings. Also the RH melody starts as a string of single notes--so it's a very thin, delicate, transparent texture there. Thus, the treble part can be overpowered. What I suggest is that you play the RH at p as indicated; however, I would aim for pp in the undulating bass figuration--more of a murmuring sound--to achieve the desired balance. As for the hairpin <cresc. decresc.>, there is always the question of whether to execute it in the RH or to allow the LH to participate as well. In this instance, I'd confine it to the RH only. Soon the RH becomes more robust with its double notes and chords, plus it's written in the lower treble by then, so it's sound is more sustaining. For that next <cresc. decresc.>, I believe the LH could participate, as the RH can hold its own there. I hope that helps.
David