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Topic: Liszt transcendental etudes  (Read 6060 times)

Offline mussorgsky

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Liszt transcendental etudes
on: February 02, 2012, 05:40:38 PM
Hi! From Liszt's transcendental etudes I've allready learned no.1 in C major. Which do you think should be next (just don't tell me no.3 "Paysage", because I want something faster). I'll be glad to hear from you!
Now learning:
Mozart sonata no.11 in A major; Fantasy no.3 in D.
Mussorgsky - Pictures from an exhibition.
Bartok - Dances in Bulgarian rhytm.


https://www.emanuilivanovpianist.blogspot.com

Offline j_menz

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Re: Liszt transcendental etudes
Reply #1 on: February 02, 2012, 11:03:51 PM
How about number 2? Then you can keep going in order through them all.  ;D
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline stoudemirestat

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Re: Liszt transcendental etudes
Reply #2 on: February 03, 2012, 06:47:55 AM
Impossible to answer without knowing more details...What other pieces have you learnt/are you learning? How did you find the 1st TE?

Offline mussorgsky

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Re: Liszt transcendental etudes
Reply #3 on: February 03, 2012, 04:00:56 PM
Impossible to answer without knowing more details...What other pieces have you learnt/are you learning? How did you find the 1st TE?

I've learned the first moment from Beethoven's sonata Pathetique, Minute waltz by Chopin, Impromtu op.90 no.4 by Schubert, The great gate of Kiev by Mussorgsky, 5 preludes and Prelude from Suite pour le piano by Debussy, Traumerei by Schumman and others like these. I plan to learn Liebestraum 3 by Liszt and etude op.10 no.3 by Chopin. I learned the First Transcendental etude for one week and it was easy for me. In technique I'm good at octaves, arpeggios and chromatic scales.
 
Now learning:
Mozart sonata no.11 in A major; Fantasy no.3 in D.
Mussorgsky - Pictures from an exhibition.
Bartok - Dances in Bulgarian rhytm.


https://www.emanuilivanovpianist.blogspot.com

Offline stoudemirestat

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Re: Liszt transcendental etudes
Reply #4 on: February 04, 2012, 01:52:11 AM
Hmm, I think that the other transcendentals, except 3 which you don't want to learn, are probably beyond you considering what you said. They are all MUCH more difficult than the first one...I would probably develop some technique with the Etudes of Chopin first, however if you REALLY want to give one a shot, I would learn 6, 'vision.' It suits the strengths you mentioned and is not one of the more difficult ones, however it will be a huge challenge for you, especially the tremolos in the second half of the piece.

Offline mussorgsky

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Re: Liszt transcendental etudes
Reply #5 on: February 04, 2012, 09:46:15 AM
Hmm, I think that the other transcendentals, except 3 which you don't want to learn, are probably beyond you considering what you said. They are all MUCH more difficult than the first one...I would probably develop some technique with the Etudes of Chopin first, however if you REALLY want to give one a shot, I would learn 6, 'vision.' It suits the strengths you mentioned and is not one of the more difficult ones, however it will be a huge challenge for you, especially the tremolos in the second half of the piece.

I actually tried some parts from no.7 "Eroica" (The octave arpeggios) and I almost did it. Actually, this is my favourite of the etudes.
Now learning:
Mozart sonata no.11 in A major; Fantasy no.3 in D.
Mussorgsky - Pictures from an exhibition.
Bartok - Dances in Bulgarian rhytm.


https://www.emanuilivanovpianist.blogspot.com

Offline stoudemirestat

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Re: Liszt transcendental etudes
Reply #6 on: February 05, 2012, 03:37:19 AM
I actually tried some parts from no.7 "Eroica" (The octave arpeggios) and I almost did it. Actually, this is my favourite of the etudes.

Okay, Interesting. However you shouldn't play a piece to 'almost do it.' If you're going to play something, you need to be able to completely do it. Play it well will full attention to detail, dynamics, phrasing, with very few mistakes. The finished product should be a confident, beautiful performance - NOT a struggle to the finish line with musical and technical errors abound. Not saying you'd do that, but just a thought.

Offline j_menz

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Re: Liszt transcendental etudes
Reply #7 on: February 07, 2012, 01:09:52 AM
Quote
The finished product should be a confident, beautiful performance - NOT a struggle to the finish line with musical errors abound.

There should be a law that that be printed at the top of every etude in every edition!
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline danhuyle

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Re: Liszt transcendental etudes
Reply #8 on: February 09, 2012, 06:25:36 AM
All Liszt Etudes have their own set of problems. Anyway, I played 1,10,9,5,12 first before I felt ready to play the others. I can play 2,3,11 really slow. I played the main theme and the variations of the main theme, but that's it with Mazeppa. At the moment I'm practicing 6,7,8. Number 8 being my very last choice to learn. At least for learning the technical side of things.

As for musicality, that's a different story. I'm putting TE 5 as my last choice to work on.
Perfection itself is imperfection.

Currently practicing
Albeniz Triana
Scriabin Fantaisie Op28
Scriabin All Etudes Op8

Offline shubertimproviz

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Re: Liszt transcendental etudes
Reply #9 on: February 17, 2012, 07:35:40 AM
why not 'mazeppa' no .4,. either it's very difficult............

Offline pianoplayjl

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Re: Liszt transcendental etudes
Reply #10 on: February 17, 2012, 12:56:57 PM
why not 'mazeppa' no .4,. either it's very difficult............

That is the hardest of the set and should be the last piece to learn before reaching the peak of Mt Everest. It has everything in it, and would take a year to master. It is really the equivalent of 2-3 Chopin etudes mashed up or 1.5 Liszt etudes, IMO. For an easier TE, try no 2'rockets', dubbed by Busoni. It is pretty straight forward, the rhythm. If you have a good octave and chord technique, this should be good for you.
The other easier etudes are No 6 and No 9. No 6 and 9 I don't know much about but I think for 6 you only have to worry about the arpeggios and I think it is a slow piece.

Jl
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