I found this clip on Youtube by chance, it has to be one of the best interpretation of Beethoven Op57.
Ooooo, very nice. I am just listening now ... very mature and beautiful playing

- I have recently watched/listened to another artist (who I will not name), who plays the third movement like a serious bat out of h*ll ... yes, not just a regular bat, but a pretty serious bat ... and I don't just mean fast, I mean like an actual bat flapping out of h*ll ... with a little bit of smoke and smoulder flying off his butt ... the entire movement

... BAM BAM BAM BAMM ... I'm a bat! I'm gettin' outta h*ll ... !!!

Anyhoo, it kinda gave me pause for thought because on one level it's impressive, but then again, it completely ignores the actual dynamics, and doesn't exactly give a build of any sort or an energetic pacing, it's just always BLAM, I'm in yo' face!, etc., within the piece ... and while you could maybe interpret Beethoven as a scary guy, determined, etc., I don't know about this "*** to the wall" approach the whole way through (OK, that term actually has pilot origins (I've recently discovered) and not male-body origins).
I'm listening to Ciccolini's third movement now ... I like very much. Thanks for sharing! Ah, some fury ...
*bows furiously to Ciccolini ... kneeling and with hands getting all the way to floor* ah gawd ... you go, guy!