The problem is, I know all this fairly well (as most pianists should), yet I have trouble trying to incorporate all this into sight-reading music. Maybe I'm trying to hard and making it more complex than it needs to be.
I have discovered some amazing secrets that help people transform their sight reading experience exponentially.
Sorry your a simpleton jmenz. The fact is some of us see things others don't.
::profuse melodramatic arrogant sighing indicating that nothing else will be said on this subject::
I have discovered an amazing magic pill that will transform people into Vladimir Horowitz.