Oriental express In new out with old

[johnmar78]

Folks, I did this last night with first take after Daves shoulder exercise-thanks. I this video I play little slower that I think I get more music and enjoyment out of it.

In the video you can see I "rebound every notes" out of key touch each key stroke I played-relaxzation

And yes, Wolfi, I specifically paid more attention on both LH and RH articulation and you can see in my video that it does not lie. I actually played every notes.

Tell me if you can find the "climax" in this etude that I played....
I hope you like it...

I stop here, and welcome all feedbacks...

[birba]

First of all there's no comparison to the other video.  At this slightly slower tempo the music comes out and that liltling quality is more evident.  I would only suggest a few stentato or slight retards:
at m. 8, 28, 32, 42, 54, 63, 68 (begin earlier then you did)-
Also the different phrasing of the melody came out clearer. However, when it's in triplets, make it more heard.  Like 29-32 and 55-58  Your staccato one was particularly effective.

[candlelightpiano]

I don't know what it is but every time I hear this charming piece, I can only think of the vaudeville!  Clowns and pantomimes on stage! Such a delightful etude!  So cheerful and bright.  Glad you posted!

[rachfan]

Hi John,

This tempo allows you to do far more with this etude.  The evenness of articulation is much improved, and your playing is more expressive as well. I enjoyed hearing it.  At this point I would put this piece aside, write it into your repertoire list, and move on to a different challenge.  You can always return to it later down the road if not several times in your lifetime.  Very good work!

David