They are so many things that one can hear, they are so many things on which one might be focused at . So, basically, my question is: WHAT DO YOU ARE PAYING ATTENTION TO?What is your impression?What do you perceive?-an arhitectural construction-a scenario, with themes as characters-something that is strictly...aural, and cannot be descriebed exactly by any other sensations-you make associations with other kinds of sensations-a mouvement, an evolution, motifs that combine, rafine and so- feelings-any others?And what number of auditions of the same piece do you need until getting a really good idea of what is actually happening in there?I look for your answers with very much interest...
Are you prepared to rent me your mind, Daevren? I think it will get me a lot of hearing music before i could reach up to that level.
oh yeah i think of colours for different pieces, but that's more when i've listened to them more than once. i like to listen to the melody at first, and then hear what the other parts are doing, and then thinking about the rhythms and tone colour and texture and stuff- result of doing way too much music analysis at school last year- like describe the melody with reference to tone colour and texture, so that's all we think about now!
you can't see colours in bartok3 how can you not! have you not listened to like the WHOLE thing as soon as it starts it's like pale purpley blue and then builds up to stronger colours omg i cannot get over you not liking bartok3