Which version do you prefer? I've got both and want to start learning it soon. Wild's version seems a lot more difficult. I think it's in the Lisztian tradition in that he varied the texture when the theme appears the second time. The climax is very effective.
Rachmaninoff Elegie No. 1, Op. 3. It's a weeper (if you cry your heart out when you play it)...
... A good singer can even suggest the accompaniment with his/her voice, even when there is none. Are you familiar with the "Mondschein factor" in the rendering of Panis Angelicus by Luciano Pavarotti and Sting?
I'm gonna learn the Richardson version. Wanna learn it together? But I like both versions about the same.
Anything sung by Justin Beiber -it is just too awful.
Except he's actually a good artist.
Definitely an oxymoron in there somewhere -I guess good -and artist is highly subjective -teenage girls adore him anyhow -
I really don't like his music.But I won't disregard the fact that he has a good voice and he is a good songwriter.
Some of you may like it, but Rap hurts so much it brings tears to my eyes!
The second movement of Ravel's piano concerto usually threatens to make me cry.
For me, it tends to be the harmony in music which induces tears. Another corker is Eric Whitacre's A Boy and a Girl. When I first listened to Ravel's Pavane for a Dead Princess, I had to stop as the ache in my chest provoked by the haunting music was a little much to bear.
chopin ballade 4
Barber's Adagio for Strings is pretty special and moving -does anyone know if a piano transcription exists?
Yes, I have a version of this somewhere