What music do you play or listen to that makes you cry?
Ok, not a piece, but for whatever reason, sometimes (and actually fairly often) just the sound of a violin makes me want to seriously burst into tears.
What I find interesting is this: music that moves us to tears does not actually make us sad. I mean, nobody would listen to it if it made him genuinely sad or depressed. Musical sadness lives in a universe of its own.
That's right. In earthly terms, I think it's awe: an overwhelming feeling of reverence, admiration, etc., produced by what is grand, sublime, extremely powerful, or just beautiful; contact with the Universe, God, the Truth, or whatever you want to call it. However, it takes a state of self-oblivion from the performer to make it all work. That's what makes great performers great.Paul
Some pieces that move me if not make me cry are: [...]
Karl Jenkins Palladio
Some pieces that move me if not make me cry are:Rachamninoff Piano Concerto 2 (all of it)etc... etc... etc...Karl Jenkins Palladio
The only time I've ever started genuinely sobbing was listening to "I was glad" by Parry and it was amazing, but I imagine it depended to some extent on the circumstances.
What music do you play or listen to that makes you cry? Or makes other people cry? or what works have you played that made other people cry?It must feel awesome to play so well that you make someone cry right? You must feel pretty boss.Unless if they're crying at how bad your playing is...
Rach 2, when well played, makes me cry. When it is badly played I weep for the future of humanity.
In earthly terms, I think it's awe: an overwhelming feeling of reverence, admiration, etc., produced by what is grand, sublime, extremely powerful, or just beautiful; contact with the Universe, God, the Truth, or whatever you want to call it. Paul
By the way, that's also one of my favorite sections of the whole Rach 3, moovingroovin I just absolutely adore the way it goes all up towards the highest note in the keyboard (well, unless you're playing on one of those pianos that go beyond that last C, bien sûr ), and so dramatically!
Other than the voice it seems to be particular harmonies or progressions that provoke an intense reaction.
Ferneyhough
Cage 4'33"
LolBut then there's Rachmaninoff's vocalize by Richardson's version and Wild's version!