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Piano Street Magazine:
“The Sound Always Comes First” — Andrea Bonatta on Teaching Liszt

Why tone matters more than speed, why reading Goethe matters as much as practising octaves, and how a single insight can transform a performance. Italian pianist and scholar Andrea Bonatta has spent decades exploring the contradictions of Franz Liszt, from performer to man of faith, virtuoso to poet. Here, in conversation with Piano Street at Liszt Utrecht 2026, he shares his vision. Read more

Topic: Even though I am a guitarist, here is an arpeggio study I have composedfor piano  (Read 1469 times)

Offline kamalayka

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Hi everybody. I am a self-taught musician. I Like spend my free time arranging classical and ragtime piano music for guitar.

However, I  have decided to "compose" a little something for piano. I don't play the instrument, so I would like some opinions on its playability.

https://www.noteflight.com/scores/view/ec5410f95e629a33320b90a087d7005f4455992d

Offline j_menz

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You need a noteflight account to view these. You should post here as pdfs.
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline marklang

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No, you don't need. Just put on play in the lower left. The music is nice, well structured, and sounds well :)

Offline marklang

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About playability, you could do more dynamics, like some crescendos, diminuendos; more contrasts, in playing some passages piano, some forte... Another idea is to starting piano, I think it will sound better.

Offline kamalayka

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Thanks for the responses, everyone. To be honest, I don't know a whole lot of music theory (which is why I feel more comfortable arranging other people's music - the notes are already there, lol).

I don't plan on ever composing any original music. There's already a hundred lifetimes' worth of music onplanet earth to discover and learn about!

Offline kamalayka

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About playability, you could do more dynamics, like some crescendos, diminuendos; more contrasts, in playing some passages piano, some forte... Another idea is to starting piano, I think it will sound better.

Thanks for the advice.

I don't feel comfortable putting dynamics in anything, though. I've always had the belief that when a composer creates a piece music for someone else to perform, it's sort of like a creative marriage. The performer just as much a right to interpret it any way they choose to.

Offline allegromaestoso

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There's a stretch of a tenth from F below middle C to the A above middle C. This is impossible for many pianists. I would stick to closer intervals.

Offline kamalayka

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Alright, I added some more to it. (Not that anybody other than me really cares  ;D)
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Piano Street Magazine:
Take Your Seat! Trifonov Plays Brahms in Berlin

“He has everything and more – tenderness and also the demonic element. I never heard anything like that,” as Martha Argerich once said of Daniil Trifonov. To celebrate the end of the year, the star pianist performs Johannes Brahms’s monumental Piano Concerto No. 2 with the Philharmoniker and Kirill Petrenko on December 31. Piano Street’s members are invited to watch the livestream. Read more
 

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