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Topic: Can repeat signs cause a bar to have two different sets of fingerings?  (Read 1407 times)

Offline 1piano4joe

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If I take the repeat then I either return to the beginning (or another repeat sign) and play that measure and generally use the fingering provided before the repeat sign.

When I return to the same measure the 2nd time, I am not taking the repeat and am going to play on to the next measure after the repeat. So, why should anyone use that same fingering?

Most editors don't write two sets of fingerings.

Sometimes, a different fingering makes things (for me anyway) a whole lot easier. The different fingering can set up or lead me more naturally to the next measure. Otherwise a fast and/or unnatural, unnecessary movement is required as the same fingering can be much less efficient in terms of economy of motion and/or legato, etc.

Does anyone agree with this, Joe?







 

Offline j_menz

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I'd stick with the same fingering, except at the very beginning and the very end, where you may be coming in from, or heading out to, a different place.
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline scherzo123

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depends.
Bach Prelude and Fugue BWV848
Beethoven Piano Sonata Op.13
Chopin Etude Op.10 No.4
Chopin Scherzo Op.31
Mussorgsky "The Great Gate of Kiev" from Pictures at an Exhibition

Offline davidjosepha

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depends.

Very insightful answer, clearly not just an attempt to increase your post count. Would you care to elaborate?

Offline scherzo123

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Very insightful answer, clearly not just an attempt to increase your post count. Would you care to elaborate?

Sorry..I was typing on a phone... :( If the fingering doesn't fit with the notes after the repeat sign, then you change it.
Bach Prelude and Fugue BWV848
Beethoven Piano Sonata Op.13
Chopin Etude Op.10 No.4
Chopin Scherzo Op.31
Mussorgsky "The Great Gate of Kiev" from Pictures at an Exhibition
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