Home
Piano Music
Piano Music Library
Audiovisual Study Tool
Search pieces
All composers
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All pieces
Recommended Pieces
PS Editions
Instructive Editions
Recordings
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Student's Corner
»
BACH TOCCATA in g minor-Fugue section
Print
Pages: [
1
]
Go Down
Topic: BACH TOCCATA in g minor-Fugue section
(Read 1685 times)
proklover
PS Silver Member
Jr. Member
Posts: 41
BACH TOCCATA in g minor-Fugue section
on: September 05, 2012, 05:26:26 AM
Hey guys,
sorry for the obnoxious title in caps, I'm just really REALLY confused right now. If anyone is familiar with this particular toccata, in the fugue section, is the four against three part really four against three, or are they tied triplets?
I'm not sure if I'm describing it correctly, but help please!!!!
Logged
"That's why I say 'seem', rather than 'to be'-because seeming is art's job and measure."
j_menz
PS Silver Member
Sr. Member
Posts: 10148
Re: BACH TOCCATA in g minor-Fugue section
Reply #1 on: September 05, 2012, 05:36:23 AM
It's your lucky day; they're tied triplets.
Logged
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant
49410enrique
PS Silver Member
Sr. Member
Posts: 3538
Re: BACH TOCCATA in g minor-Fugue section
Reply #2 on: September 05, 2012, 10:09:12 AM
listening only or playing on piano? curious who's transcription? it's originally for organ is it not?
Logged
quantum
PS Silver Member
Sr. Member
Posts: 6278
Re: BACH TOCCATA in g minor-Fugue section
Reply #3 on: September 05, 2012, 02:54:29 PM
BWV 915, I presume?
It is a notational convention of the time that when dotted eighths are played against triplet eighths, the dotted eighth figure is played as a triplet quarter-eighth. You would maintain this rhythm throughout the section or piece: i.e. you would not start dotted eighths and then switch to triplets when presented with a second voice, but rather start the triplet rhythm from the beginning of the section (in this case, the introduction of the fugue theme).
Logged
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
Sign-up to post reply
Print
Pages: [
1
]
Go Up
For more information about this topic, click search below!
Search on Piano Street