Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Audition Room
»
Chopin's Ballade No. 1 in G minor, Op. 23
Print
Pages: [
1
]
Go Down
Topic: Chopin's Ballade No. 1 in G minor, Op. 23
(Read 4618 times)
grantweep
PS Silver Member
Newbie
Posts: 1
Chopin's Ballade No. 1 in G minor, Op. 23
on: October 03, 2012, 11:33:09 PM
Hi all,
This song is probably super overplayed, but I decided to go for it anyways. I'm an amateur pianist and I am considering performing this piece at a university talent show. Just wanted to get a sense of whether or not I should go for this (This recording is a month old and I'm already starting to get a little rusty from not practicing, heh). And if so, if there are any tips/suggestions for my interpretation of the piece. Thanks in advance for any comments/feedback. I used two decent mics to record the audio, so it should be easy on the ears!
-grantweep
Logged
jugular
PS Silver Member
Jr. Member
Posts: 47
Re: Chopin's Ballade No. 1 in G minor, Op. 23
Reply #1 on: October 18, 2012, 04:21:07 AM
You still need to put a lot more work into the tehcnical aspects of this piece. There are parts which just sound plain sloppy, in particular the
sempre piu mosso
section, the
piu animato
section (preceded by the meno mossos section in A major), and the coda (
con fuoco
section). Notes are being buried and missed because you're struggling in these sections, and it prevents you from making them musically expressive. Once you grasp the technical challenges this piece demands you can pay attention to the musicality.
The arrival at the A major section in the
meno mosso
was beautiful. Your combination of an increase in tempo and dynamics accompanied by stronger accents made for a dramatic build up to the dynamic peak of the section.
Another thing I would add is that it's just too loud, especially when you arrived at the main theme. Go through the score again and really pay attention to dynamic markings, as they help guide you on how to make sections more expressive. This is especially important for the
meno mosso
section in Eb major (or the "slow"section). The volume was much too loud here, and you could have definitely taken more liberties with rubato. Watch this video of Arthur Rubinstein giving a short masterclass to a young piano player on Ballade No.1. There is much you can gain by watching this segment.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up