Thanks for your comments you guys.
Here are A Major and F major.
I have recorded 14 so far, with another 12 in the works

Ted, I think these are more simpler than they may sound at first listen.
If one were to analyze these and for instance, apply roman numeral analysis, they wouldn't see much more than I, VI, V, I. III, ii, V, I, or in minor; i, VI, iv, V, i, bIIN6, V, i

It's all formulas, and ingredients to pull from, that's all it is

The hardest part is remembering what I started the piece with rhythmically and melodically, and carrying that out throughout the piece.
In A Major, that rhythm is almost an ostinato, and will for sure annoy the heck out of some people who listen to it

I sure drill it in there, but it was only so that I was sure to maintain consistency throughout.
-Tyler