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Topic: Which model or which piano should I choose from?  (Read 2131 times)

Offline dalekcaanman

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Which model or which piano should I choose from?
on: November 13, 2012, 07:19:15 PM
Hi,

This is my first post and I am looking to buy a new piano.

Below are my selections:
1.Yamaha GB1 - $14,814.1400
2.Yamaha B3 - $8,379.8440
3.(Bentley)The Compact 85c - $6,726.7640
4.Bechstein Upright - $16,378.2080
5. Ronisch Upright - $7,953.8580
6. Petrof Piano (Don't know which one yet but I will post this tomorrow as I go to my local Petrof dealer)

 Thanks for your support and helping me choose a new piano!

---Dalecaanman---

Offline iansinclair

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Re: Which model or which piano should I choose from?
Reply #1 on: November 13, 2012, 09:18:19 PM
please see my reply to the thread on piano makes.  Somehow, I think we may be on different planets...
Ian

Offline locson

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Re: Which model or which piano should I choose from?
Reply #2 on: December 11, 2012, 04:49:27 AM
If you are performing student in US, and want to go to Piano competition, Petrof may not be a top choice, since its key action is so light, and you may have trouble when playing with stage's piano (usually Steinway with heavier key action). But if you want to top quality over the cost for you to play at home, Petrof is ones of the top. I had 1999 Petrof 6'4", and I had compare it with my sister's Mason 5'10" (the Petrof is cheaper), it sound and fell much better.

I used to own a Yamaha G6 and GH1, and the Petrof is definitly better than Yamaha G.

Offline the89thkey

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Re: Which model or which piano should I choose from?
Reply #3 on: December 14, 2012, 02:51:56 AM
I have a Steinway D in my living room. It barely fit, but the movers managed somehow (not without a few scratches though ;))

That is without question the absolute best piano sold anywhere in the world. Or at least in my opinion (and a lot of other people's too I'm sure).
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Piano Street Magazine:
Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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