and Beethoven concertos if those count.
My first piece like that where I was thinking "hell ya!" was probably the Liebestraum by Liszt.The first Romantic piece that really took a good amount of effort to work out was definitely Chopin's C minor Nocturne (Op.48). It's not a 'huge Romantic work', but it's definitely a difficult piece to overcome when you've only played a few Preludes/easier Nocturnes before that.
Raindrop Prelude is definitely not a "big" work. I probably played Chopin Ballades 1 and 3 pretty early on, and Beethoven concertos if those count. However, my first "big" piece was undoubtedly something by Chopin. "Bolero" perhaps.
Raindrop Prelude is definitely not a "big" work
That depends how advanced a pianist you are when you learn it...
Her name was Becky. Wow, what a piece
I'm not entirely sure what you mean by "big" piece
My first "big" romantic work would be (accidentally) Schumann's Kreislerianna, if not (another accidentally) Chopin's Andante spianato & Grand Polonaise.
How did you "accidentally" learn these pieces? This sounds like a good story!
How difficult is the Op 48 Nocturne? Can you name some pieces that are about the same difficulty?
Assuming I understand the question right, I'd say Brahms' Rhapsody No. 2 in B minor. Not a terribly difficult piece, but that's the first piece where I felt like I was playing real repertoire--like I had entered the big leagues (although obviously the very low end of it).
It's a slow piece, but by no means easy. IIRC Brahms changes dynamics, articulation, or tempo on nearly every note, so you have to really watch what you're doing. Good place to start though.
Oh yeh, I didn't mean to say it was easy! But compared to many of the pieces people were saying as their first big piece, it's relatively small, and I wanted to justify choosing it as my first "big" romantic piece.
with respect to the difficulty of nocturne 13 (op 48). It is probably the hardest of his nocturnes, and is comparable in difficulty to the mid-range etudes. The doppio section is VERY difficult to voice within the confines of the dynamics.