True. After I get established (I'm moving in May), I'm going to give myself a couple of months. There's a local community college that offers many music courses in theory and piano that I intend on taking, and they classes even go to the extent of composition. I mapped it out and, if I took all the courses that applied to solo piano, that'd keep me busy for a few years. I think, once I start that, I would probably be assigned an instructor through the community college.
Only one person's opinion, and not a particularly expert one at that.I think we can all benefit from being coached by someone more objective and more knowledgeable than we are..no matter what our level of expertise. I have a facility with music and with signt reading which permits me to play well enough and certainly more than well enough for someone who is largely self-taught.But, what I am is a gifted amateur...To become a real musician, I need a teacher who will push me beyond my range.
My goals are to be able to play my favorite pieces, which happen to be very technically and musically demanding, such as a couple of the Chopin ballades, some Beethoven sonatas, or Rachmaninov preludes. I also want to be able to improvise and have a grasp of jazz concepts.
Hey all,This is a quick question. I'll be graduating soon with my bachelors, relocating, and finally (!!!) taking up the piano again. I played for a total of about six years, and would try and play what I could remember over the past few years while I was in school. I didn't really get the opportunity to play very much. Do you think I will need a teacher with a background of six years of playing? I feel like I can count music decently (minus the REALLY complex stuff), I just have a habit of NOT counting. My current level of playing... I don't know of a specific number, or even to tell you if I'm intermediate or advanced (I don't think I'm advanced). What I feel comfortable playing, from my previous repertoire, are the following pieces: Moonlight Sonata, 1st Movement. Raindrop Prelude by ChopinThe Girl with the Flaxen Hair - DebussyReverie - DebussyAs well as the first and 13th Bach interventions, but the counterpoint trips me up slightly, and I would need more practice with those. What do you all think?