These two giant composers equalled in virtuosity partook in what would be considered the duel of the century. This happened in Vienna on a day, in which Mozart was complaining. What did both composers bring to the contest? All Mozart did was complain about a broken piano, or one that he thought was broken. Clementi enjoyed the show and made out with some ladies later on. Actually, I don't know if the latter happened, but Clementi was a good looking dude. This tune is the greatest ever of the opus 36 series and is the last one. I'm talking about the opus 36 no 6 in d. Did Mozart copy this? I don't think Mozart felt it would be worth it. Instead the guy applauded Clementi and thought his thirds and sixths were very impressive. I'm sure that all beginning piano students ran home after school to play Clementi's sonatinas when they first came out the same way that they did for the Italian Concerto, BWV 971 by Bach. Okay, that might be going a little too far. Bach was a legend like Babe Ruth of baseball, these people cannot be matched. Mozart's Viennese Sonatina No. 6, which opens like the (Eine kleine Nachtmusik K.525 Movt.1 ) by the composer of the same name is another piece that stands out as gay (in the traditional sense) and cheerful. In contrast, Clementi's playing was more technical than Mozart.
cretin
Never heard this word before, but I really like it...I think I know quite a few cretins, but not many on this forum fortunately...
In italian: cretino. There's a musical ring to it.
Yes, and it sounds less intimidating than imbecile... but since I just learned that cretinism is actually a medical term referring to congenital hypothyroidism, I guess it could be offensive to use the word...