Piano Forum

Piano Street Magazine:
Music is an Adventure – Interview with Randall Faber

Randall Faber, alongside his wife Nancy, is well-known for co-authoring the best-selling Piano Adventures teaching method. Their books, recognized globally for fostering students’ creative and cognitive development, have sold millions of copies worldwide. Previously translated into nine languages, Piano Adventures is now also available in Dutch and German. Eric Schoones had the pleasure of speaking with Randall Faber about his work and philosophy. Read more

Topic: Chopin op 25 no 5  (Read 2313 times)

Offline chopin2015

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2134
Chopin op 25 no 5
on: May 03, 2013, 02:15:55 AM
So, I've played through the thing and have memorized it, no problem except 1 little thing. I just can't make up my mind on what to do here! These chords are not indicated to be rolled, so...how do I stretch an 11th??? How can I hit all those notes without rolling the chord? I can reach a 10th MAX. Let me know! See pic attached.

No trolling allowed.
"Beethoven wrote in three flats a lot. That's because he moved twice."

Offline 4greatkeyboards

  • PS Silver Member
  • Jr. Member
  • ***
  • Posts: 51
Re: Chopin op 25 no 5
Reply #1 on: May 03, 2013, 02:31:31 AM
I remember reading an interview of Garrick Ohlshon. He, of course is a giant of a man with huge hands. In the interview he was asked about optimum hands. He said he thought the best hand for piano was a 'compact' one. He said this his main problem was getting in between the black notes. His fingers are so large that it is hard for him to press a white key without sounding the black keys that may be aside of it.

To me, the moral is that you work with what you've got. Small fingers can do what large ones cannot and vice-versa. Also, small fingers can do more than large ones if they move faster because they fit between the black keys more easily.

I dimly remember an anecdote where another pianist watched Franz Liszt play the Beethoveen HammerKlavier sonota and remarked at how he saw that Liszt had to roll some of the chords.

Offline chopin2015

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2134
Re: Chopin op 25 no 5
Reply #2 on: May 03, 2013, 03:14:15 AM
haha! I can only imagine the comments I will get. Oh, I see you have to roll the 11ths...that's too bad...haha
"Beethoven wrote in three flats a lot. That's because he moved twice."

Offline j_menz

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 10148
Re: Chopin op 25 no 5
Reply #3 on: May 03, 2013, 03:35:04 AM
You roll.  Make it a fast one.  I'd do it so the first chord in each bar was straight, the second slightly rolled (even though you don't need to) and the third slightly more rolled. Make a virtue of necessity.

Oh, or you can always use your nose.  :P
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline chopin2015

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2134
Re: Chopin op 25 no 5
Reply #4 on: May 03, 2013, 04:09:04 AM
You roll.  Make it a fast one.  I'd do it so the first chord in each bar was straight, the second slightly rolled (even though you don't need to) and the third slightly more rolled. Make a virtue of necessity.

Oh, or you can always use your nose.  :P

Good point! I just can't think of anything else I can do! I'll ask my teacher too. What a dilemma! I wish I could just write Chopin a letter...
"Beethoven wrote in three flats a lot. That's because he moved twice."
For more information about this topic, click search below!
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert
Customer Reviews