Piano Forum

Topic: Reading piano music  (Read 2714 times)

Offline sanderling

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 4
Reading piano music
on: July 06, 2013, 02:41:28 PM
Any good tips for improving reading piano music?  What do you look for?  I'm a good reader for other instruments but very slow on piano music. 

Offline qpalqpal

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 259
Re: Reading piano music
Reply #1 on: July 06, 2013, 03:32:52 PM
This has helped me a lot. Just watch, gives very good advice

Working on:
Bach Invention 7 (also Tureck's book)
Clementi Sonatina 3
Rachmaninoff Moment Musicaux no. 3
Skrjabin Prelude op.11 no.4
Joplin The Favorite Rag

Offline j_menz

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 10148
Re: Reading piano music
Reply #2 on: July 07, 2013, 01:23:59 AM
This has helped me a lot. Just watch, gives very good advice





Apparently it doesn't cover everything.  ;D
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline mjedwards

  • PS Silver Member
  • Jr. Member
  • ***
  • Posts: 32
Re: Reading piano music
Reply #3 on: March 21, 2014, 05:15:49 AM
     Just practise sight-reading as much as you can, and as widely-varied music as you can find.  Find cheap music from second-hand sources and buy it, and run through it - choose what interests you, which you feel you *must* explore, rather than what you think others might "expect" you to choose.  Stretch yourself by finding music that may be too difficult for you, and that looks interesting (you want to make  this enjoyable and interesting), and just sight-read it - in slow-motion if need be.  Go back and run again through pieces that seem to interest you, so you gain at least some familiarity with them, even if you don't go on to learn those pieces properly.
     It's difficult for me to judge what my own musical skills might be, and my opinion seems to change according to my mood.  But an apparently excellent ability to sight-read music, and to cope with complexities like lots of accidentals, and so on, is one thing that other people do seem to consistently praise me for, so I can assume that that, at least, has some foundation in reality.  And if it's so, I attribute it very largely to my practice over decades of finding lots of second-hand music in many styles and sight-reading it (not always going on to learn it properly).
     And I never did this consciously to develop skills like sight-reading or becoming more fluent in notation, but just because so much music I found intrigued me and I wanted to find out how it was constructed - and it had that effect anyway.  I always wanted to compose, and that in itself seems to give you a heightened urge to understand how other composers construct their music.  And it's possible (although I'm not quite so sure) that composing itself helps make your notation-reading abilities more acute.

Regards, Michael.


For more information about this topic, click search below!

Piano Street Magazine:
Chopin and His Europe - Warsaw Invites the World

Celebrating its 20th anniversary the festival “Chopin and His Europe” included the thematic title “And the Rest of the World”, featuring world-renowned pianists and international and national top ensembles and orchestras. As usual the event explored Chopin's music through diverse perspectives, spanning four centuries of repertoire. Piano Street presents a selection of concerts videos including an interview with the festival’s founder, Chopin Institute’s Stanislaw Leszczynski. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert