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Reading piano music
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Topic: Reading piano music
(Read 3114 times)
sanderling
PS Silver Member
Newbie
Posts: 4
Reading piano music
on: July 06, 2013, 02:41:28 PM
Any good tips for improving reading piano music? What do you look for? I'm a good reader for other instruments but very slow on piano music.
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qpalqpal
PS Silver Member
Sr. Member
Posts: 259
Re: Reading piano music
Reply #1 on: July 06, 2013, 03:32:52 PM
This has helped me a lot. Just watch, gives very good advice
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Working on:
Bach Invention 7 (also Tureck's book)
Clementi Sonatina 3
Rachmaninoff Moment Musicaux no. 3
Skrjabin Prelude op.11 no.4
Joplin The Favorite Rag
j_menz
PS Silver Member
Sr. Member
Posts: 10148
Re: Reading piano music
Reply #2 on: July 07, 2013, 01:23:59 AM
Quote from: qpalqpal on July 06, 2013, 03:32:52 PM
This has helped me a lot. Just watch, gives very good advice
Apparently it doesn't cover everything.
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"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant
mjedwards
PS Silver Member
Jr. Member
Posts: 32
Re: Reading piano music
Reply #3 on: March 21, 2014, 05:15:49 AM
Just practise sight-reading as much as you can, and as widely-varied music as you can find. Find cheap music from second-hand sources and buy it, and run through it - choose what interests you, which you feel you *must* explore, rather than what you think others might "expect" you to choose. Stretch yourself by finding music that may be too difficult for you, and that looks interesting (you want to make this enjoyable and interesting), and just sight-read it - in slow-motion if need be. Go back and run again through pieces that seem to interest you, so you gain at least some familiarity with them, even if you don't go on to learn those pieces properly.
It's difficult for me to judge what my own musical skills might be, and my opinion seems to change according to my mood. But an apparently excellent ability to sight-read music, and to cope with complexities like lots of accidentals, and so on, is one thing that other people do seem to consistently praise me for, so I can assume that that, at least, has some foundation in reality. And if it's so, I attribute it very largely to my practice over decades of finding lots of second-hand music in many styles and sight-reading it (not always going on to learn it properly).
And I never did this consciously to develop skills like sight-reading or becoming more fluent in notation, but just because so much music I found intrigued me and I wanted to find out how it was constructed - and it had that effect anyway. I always wanted to compose, and that in itself seems to give you a heightened urge to understand how other composers construct their music. And it's possible (although I'm not quite so sure) that composing itself helps make your notation-reading abilities more acute.
Regards, Michael.
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