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Poll

Which do you think is the most difficult (standard) piano technique?/\

double hand rapid scales(e.g. polonaise op 53)
0 (0%)
double hand rapid octaves(e.g. mazeppa, op 25 no 10)
1 (3.8%)
tremolos(e.g. chasse neige, campanella, ondine)
3 (11.5%)
3rds(descending) (e.g. rigoletto paraphrase, ondine)
5 (19.2%)
3rds(ascending) (e.g. op 25 no 6, don juan fantasy)
6 (23.1%)
double hand rapid arpeggios(e.g. norma fantasy, op 22 polonaise)
2 (7.7%)
single note chromatics(e. g. la campanella)
0 (0%)
single note octave leaps(ocean etude, 4th ballade)
0 (0%)
glissandi(all forms) (e.g. ondine, alborada, petrouchka 3)
2 (7.7%)
double notes(non-chromatic)(e. g. feux follets, scarbo)
7 (26.9%)

Total Members Voted: 12

Topic: Most difficult piano technique  (Read 8408 times)

Offline david456103

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Most difficult piano technique
on: September 29, 2013, 12:41:45 AM
pick the options that apply to you!

theholygideons

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Re: Most difficult piano technique
Reply #1 on: September 29, 2013, 12:43:21 AM
chord tremolos... yuck

Offline lighthand045

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Re: Most difficult piano technique
Reply #2 on: September 29, 2013, 05:13:16 AM
Fast white key octaves, constant jumping and repeated notes(interlocking, as in Alkan Concerto for piano solo)
=]

Offline dima_76557

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Re: Most difficult piano technique
Reply #3 on: September 29, 2013, 05:33:57 AM
pick the options that apply to you!

My options are not there. What you give are all examples of stuff that can be learned if you practise with the correct movement and have enough patience. But what about a simple Mozart scale with one hand and nothing else to support it, for example? I find that much, much harder. In fact, I think I'll never be able to do that really well. :)
No amount of how-to information is going to work if you have the wrong mindset, the wrong guiding philosophies. Avoid losers like the plague, and gather with and learn from winners only.

Offline awesom_o

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Re: Most difficult piano technique
Reply #4 on: September 29, 2013, 12:03:13 PM
Quote from: dima_76557link=topic=52703.msg571069#msg571069 date=1380432837
But what about a simple Mozart scale with one hand and nothing else to support it, for example? I find that much, much harder. In fact, I think I'll never be able to do that really well. :)

Never say never! Develop support within the hand and the earlier styles of keyboard writing become your friend instead of your enemy.

Offline dima_76557

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Re: Most difficult piano technique
Reply #5 on: September 29, 2013, 12:27:12 PM
Never say never! Develop support within the hand and the earlier styles of keyboard writing become your friend instead of your enemy.

It's not actually a technical problem I have, I think; rather a psychological one. Nowhere to hide, no noise present that could help distract the listener's attention from imperfections. ;D
No amount of how-to information is going to work if you have the wrong mindset, the wrong guiding philosophies. Avoid losers like the plague, and gather with and learn from winners only.

Offline awesom_o

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Re: Most difficult piano technique
Reply #6 on: September 29, 2013, 10:48:05 PM
Quote from: dima_76557link=topic=52703.msg571090#msg571090 date=1380457632
It's not actually a technical problem I have, I think; rather a psychological one. Nowhere to hide, no noise present that could help distract the listener's attention from imperfections. ;D


All technical problems are musical problems, and all musical problems are technical problems.

Offline rachmaninoff_forever

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Re: Most difficult piano technique
Reply #7 on: September 30, 2013, 01:14:47 AM
Oh come on the glissandi from the Ondine isn't even hard!!!

Poor misrepresentation of glissandi!!! >:(
Live large, die large.  Leave a giant coffin.

Offline david456103

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Re: Most difficult piano technique
Reply #8 on: September 30, 2013, 01:30:40 AM
^fair enough. how about the glissandi from petrouchka #3?

theholygideons

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Re: Most difficult piano technique
Reply #9 on: September 30, 2013, 08:03:17 AM
Those *** glissandi on those *** black keys in prokofiev's concerto no.2, 3rd movement,
using the thumb only and descending are freakin' painful!!!


Oh yeah, i remember when i was playing chopin's etude op.10 no.1 on the school's old piano... cut my self on the pinky on the edge of one of the ivory keys. Didn't realise i was staining the whole stretch of the keyboard with blood. 

Offline lousyplayer

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Re: Most difficult piano technique
Reply #10 on: September 30, 2013, 09:43:56 AM
How about 9ths and 10ths in both hands? (Albeniz)

Offline nanabush

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Re: Most difficult piano technique
Reply #11 on: October 03, 2013, 12:31:50 AM
'Random' leaps aren't there haha!  Chopin's Op 25 #4 is a nightmare for me.

I used to think double notes bugged me the most, but you see them so often in rep that they are difficult to hide from.  Random leaps on the other hand, DAMN.  My first encounter was near the end of Rach Op 23 #2, when the right hand has mammoth chords and the left hand is in octaves (before the 32nd note cascading passage).  That took me WAY more time to work out than most double note passages... relatively.  Obviously if you take a piece like his Prelude in Eb minor (which is 4 pages entirely of random double notes), that would be tougher.  But 4 pages of the leaps in the Bb would be hell.

Double notes come nicely if you work on the articulation, and leaps [for me] just take repetition at a very slow pace, sinking in to the keys.  I find leaps more frustrating to practice, because it is walking on thin ice when you increase the tempo lol.  I find it can collapse so quickly.

But ya, my ultimate nightmare would be a prof saying "ok, this year you will play Chopin's Op 25 #4"... bleeergh.

Double Thirds Glissandi are up there (I played Alborada two years ago), but it's such an obscure technique.  What I actually found more difficult was coordinating the left hand rhythmically underneath... that sucked.  The descending glissando was awkward if your hands were a bit sweaty lol, and was a PAIN for the outer finger, but holy sh*t getting the rhythm to cut through in the LF is worse in my opinion.

===

On a side note, another technique that bugged me when it came up was the variation in the Beethoven 32 Variations where both hands had the triplet broken triad figuration.  Ack that was bad, and I had to prepare that piece for a summer course in France... needless to say I embarrassed myself the first time I played the piece lol!
Interested in discussing:

-Prokofiev Toccata
-Scriabin Sonata 2
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