Oh boy, this is not going to end well.
Ya think?
I consider myself a very advanced intermediate or low to middle advanced level.-I can play Turkish March with insane ease and variate/transpose it to my own taste.-I can play the Chopin Etude Op 25 No 11 (Winter Wind), but I haven't mastered it yet. (Dem arm cramps(It's harder than you think))-I can play the Chopin Etude Op 10 No 12 pretty good.-I can play Ginastera (I forgot the name of the piece) easily.-I can play Polonaise Military easily.-I can make my own extremely difficult version of fur elise. (Might upload a video soon )I'm sort of leaning towards Rachmaninoff 2nd (I wanted to play the 3rd but I'm only 13 and that thing is crazy hard).I'm also considering Tchaikovsky 1st.I honestly do not want to play any concertos 'designed for children' or anything similar.Give me suggestions AND tell me if I can play these pieces.Thanks!
Hey,Sounds pretty impressive, even thoughI really haven't heard you play...It's almost impossible to tell you if you can play something or not.Have you played any concerti before? Concerti are pretty different from solo pieces, there's some other kind of technique that you kinda have to learn, in my opinion.TBH, there aren't a lot of concerti "designed for children", just some easier ones...also just remember at 13 you are technically a child. I'm gonna be really honest and say that Rach 3 and the Tchaikovsky aren't really for you yet, neither is Rachmaninoff's 2nd. I mean Rach 2 is a bit more on a "human" level in terms of technique but they're about as difficult musically.You're probably not gonna like this, but I am gonna suggest a Mozart concerto..maybe the D minor? Or Beethoven, any of the 5. Grieg and Schumann are also definitely in your reach, but learning a Classical concerto would serve as a good foundation, especially if you're gonna play with an accompaniment at some stage.Also, as a friendly reminder: although you're young and quite skilled as you say, be a bit more modest...you have tons to learn and it really isn't "going to end well" if you carry on like this. No offence, but you're sounding off like a bit of a douchebag to me...
I was just assuming that Grieg and Schumann would be easy enough, judging by what he said...I personally feel that they aren't TOO difficult musically
I'm not here to get responses other than suggestions.
That's not up to you. This is the internet.
I don't want to sound rude, I'm just asking this out of curiosity. Are you a troll?
Can I ask out of curiosity how old are you?
13 but biological age is the worst way to judge.
Surprisingly, I agree with you. A better question would be how long have you been playing?
I forgot to add one vital information.I only need to play one movement.The Rach 2nd 2nd movement seems moderately okay.Rach 2nd 1st movement is possible but a challenge.Rach 2nd 3rd movement, I won't attempt just yet.Rach 3rd, I'm not going to start on it.I didn't see the sheet music at first, it just sounded good.Here's an understatement for ya, it is hard.Tchaikovsky out of my reach? Hm.... I played (as in sightread) and it wasn't too difficult. Of course I only read the 1st movement.
Since I was 4. So approximately 9 years.
And you've never done a concerto?
Guys you really think Rach 2nd as his first concerto is ok? Why the rush with repertoire...Go make some Mozart concerto beautiful, instead of rushing through this one. And although age is not the best measurement ( I know since I'm not that older than you are), 13 is still very young. Your hand span isn't even fully developed yet. How do you think you are going to manage the writing in his 2nd concerto, if even the composer himself ( who could reach a 13th) thought it was "very awkward"?I would strongly suggest a Mozart concerto, or a haydn concerto, before tackling the romantic concerto literature. But there are others out there.
Are you planning to play the movement for competitions?To be honest if you're just gonna work with one movement I think Rach 2 is alright for you. Tchaikovsky may not be technically out of your reach, but seriously I do think the 1st movement is a bit overboard musically, especially if you've never played anything so long.It really depends on what you like. Whether you can play it, or play it well is another story. You should ask your teacher what they think.
You're 13 years old and you can reach a 12th? What are you, seven feet tall? Great to hear you are also a violinist! Are your skills on both instruments equal?
To suggest a Rachmaninov concerto as the first concerto for a 13 year old is moronic. You should be kept away from it, as it is impossible to express until you have lived, loved and lost.
Have I said something sensible for once??Thal
To suggest a Rachmaninov concerto as the first concerto for a 13 year old is moronic. You should be kept away from it, as it is impossible to express until you have lived, loved and lost.One does not have Rachmaninov as a first solo piece, so he should not be considered as a first concerto.The craft of playing a concerto needs a foundation before you start trying to build skyscrapers, so Mozart, Clementi, Schobert, J C Bach, Stamitz, Haydn and about a 1,000 other early classics should be played before attempting anything else.Thal
may I suggest...."Piano Concerto No. 3 (Kabalevsky)From Wikipedia, the free encyclopediaThe Piano Concerto No. 3 in D major, Op. 50 (subtitled Youth) by Russian composer Dmitri Kabalevsky is one of three concertos (the others are for violin and cello) written for and dedicated to young performers within the Soviet Union in 1952, and is sometimes performed as a student's first piano concerto. This sunny and tuneful piece manages to combine effective apparent pianistic pyrotechnics whilst keeping it within the range of ability of a keen student.The piece has three movements:I. Allegro moltoII. Andante con motoIII. PrestoThe opening movement begins with a dramatic trumpet fanfare, followed by swirling piano writing that has a touch of the great piano concertos of Tchaikovsky and Rachmaninov. There is a central dramatic cadenza before the opening theme returns, the movement ending with the same short fanfare.The second movement begins in G minor in a far more austere style, using pizzicato string notes over which a melody is played in octaves on the piano. There is a shimmering central section at a faster tempo that moves through various major keys before the opening minor theme is restated, but this time with a forte from the full orchestra. The opening quiet atmosphere eventually returns at the end of this movement.The final movement starts at breakneck speed, which is only briefly interrupted in the middle by a little march. Just before the end a sweeping romantic melody first heard in the first movement is played at full volume before the concerto ends with a prestissimo coda.The work shares themes in common with Kabalevsky's Rhapsody for Piano and Orchestra, op.75, on the theme of the song "School Years"" for one of the best recordings see:
For some reason he says he won't do concerti "designed for children."
argh. because the rule tells me that it's not allowed.
I must play 3 pieces from different time periods (Baroque, Classical, Romantic, Etc)I must play 1 movement of a concerto (No transcriptions, arrangements, and particularly none that is designed for children, etc) <-- can't exactly remember how my teacher worded it.And finally, I have to memorize it. I have plenty of time, till 2016. Trying to get it done by 2015 though.
You never mentioned that... There's a lot of discrepancy in your posts. Are there any other conditions that you haven't told us yet? If not, I'd still lean toward Haydn, Mozart, and as someone said here, Bach. Don't get fooled OP, the concertos by these composers are some of the most beautiful ones out there.
Thanks for these responses! Any particular pieces you recommend?
I believe everything is equally difficult musically. You must put an equal amount of musical effort in every piece.