Chopin, Liszt and Rachmaninoff extremely boring? The question how come somebody finds 3 of the greatest composers for the piano extremely boring, but suddenly loves Scriabin, I find much more interesting to answer.
Come on guys, how is this possible?you have to AT LEAST admit, that the music is interesting. If such passionate and ingenious composers like Rachmaninoff, Chopin and Liszt are boring, how can you truly appreciate Scriabin... it is a mystery to me. Anyway, if great performers and conductors have failed to awake your interest, i very much doubt that a post on a piano forum will do the opposite...
outin=ded insiderachlover=no tasteLiszt is pretty hit and miss for me too. At times, he can be bloody awesome (the sonata in b minor is glorious) and at other times he can be so freeaaking tedious and boring. But yeah, he's alright. scriabin>>>>>>>>>>>>>>>>>>>>>>>>>>>>>rachmaninoff
Scott Joplin>>>>>>rachaminoff>>>>>scriabin>>>>>>Liszt>>>>>mjames.
scriabin>>>>>>>>>>>>>>>>>>>>>>>>>>>>>rachmaninoff
I disagree but I can see an argument made for this
outin=ded inside
I really felt something inside yesterday while listening to some Liszt...turned out I had eaten something unsuitable...
Oh...so you added an improvised trombone line? 😀
I dont know what you are talking about. He is well performed around the world.
I for one enjoy Rachmaninoff's approach to the prelude form than Scriabin's, far more adventurous.
Op. 27? I think I played one of them before, in g minor. Probably the first considering it's filled with huge chords. I know you hate those. lol Wait, first etude? Op. 2 in c sharp minor? Oh that one's pretty! You do have a heart, aha. Since I'm pretty much done learning my current stuff I'm trying out the op. 19, 1st mvt. Not sure if I can handle yet, but only way to know for sure is to try! Are you planning to play any sonatas in the near future?Weirdly enough I think I'm indifferent to Scriabin's etudes. Except for his op. 42...everything else is kind of meh.
Sonatas? I can barely learn a 4 page piece I have to memorize everything and I am really bad at it...Just like with the preludes, some are really nice, some at a bit boring. Have you listened to the later opuses?
we share some similar aesthetic leanings. I was listing to this recently and think you'd like it given your predilection for lots of Scriabin I like as well, so what appeals to me may also appeal to you here
This is why not Scriabin. "Shallow people will say, “I don’t care if the Concerto is badly written or that Scriabin was a sex maniac. I don’t care that he does not know the difference between F double sharp and G natural. It means nothing to me that he was a rapist, a drunk and had severe mental problems. I like his work and that is all that matters so shut up!”https://www.wrightmusic.net/pdfs/scriabin-and-mental-illness.pdf
Why is 'effeminate' a criticism?
Music is completely abstract sound for me and the only meaning it has is that which I decide to assign it, consciously or unconsciously, and is not invariant at the best of times anyway, but frequently changes from one hearing to another. Its formative process, what sort of person its creator was, what other people think about it, are completely irrelevant considerations. It wouldn't matter to me had it been generated by a computer program or a chimpanzee. Abstract sound, and its effect on my brain is all that matters. Exactly why I like creating and playing some sounds more than others is no doubt a very interesting question, but remains a mystery beyond my understanding, and it certainly has nothing to do with historical or social associations, of that much I am convinced.
Why not Scriabin?What a terrible, stupid question to ask. Here's the answer: different people have different tastes. I don't know if that is difficult for the OP to understand based on his or her original post. But it sure seems like it. I like Chopin best. But I DON'T go onto every topic on every other composer and say "Why not Chopin?" on every single one. Why? Because they have DIFFERENT tastes than me. Besides the fact that only one composer is very exclusive! I probably listen to nearly as much Ravel as I do Chopin! I listen to nearly as much Debussy and Liszt and Liadov and Szymanowski and Mendelssohn and Ligeti and a host of others as any! Limiting your range of music to just Chopin, or to just Scriabin, or to just Chimuka Zhiruiaknzmi (visitor's favorite ) or dare I say Ludovico Einaudi (forgive me) is not appreciating music fully!! You go ahead and listen to Scriabin. You can go ahead and recommend it to others. But to say that Chopin Liszt and Rachmaninoff are objectively "boring" is terrible self-focused and ignorant of other's tastes. I like Scriabin. And the short answer to "Why not Scriabin?" is for most people probably "I just don't like it". And that's FINE. I'm fine with visitor who likes almost no Chopin stuff. Just suck it up and respect everybody's individual tastes.