There is a nod to early Scriabin here. You may want to try working with a theme, then develop that theme using all those arpeggios and octaves in a Chopinesque style. Chopin loved vocal music, so amidst all his virtuosity there was nearly always a singable tune. I liked how you opened the piece. It would be interesting to hear how you could continue develop those ideas.
This is defenitely more characteristic of more atonal
I find this hilarious because this was a joke posting. This is defenitely more characteristic of more atonal and modern composers. Go read through the Truth or dare. Thread
Hate to disappoint you, but it seemed to me solidly tonal.
Of course, what would PS be without completely random tangents rendered completely serious for the sake of seriously taking them unseriously.
Sorry, it may be. Honestly I haven't even really listened to it. When I played it I just kinda flub my hands down and went to town. So I didn't really think of a tonal center. I just through in a big I V I at the end in C Major for fun. I guess technically the whole thing is in C major just takes a while to get back "home"
You should have a listen. You might find it interesting how it came out.I didn't mean that it was "in a key", just that it was at all times tonally centred. That centre moved, sometimes at random, but the notes stayed tonally oriented towards that centre.Just goes to show, old habits die hard. Indeed, as I understand it, part of the reason for the strictures in Schoenberg's 12 tone serialism was he believed that without them composers would naturally revert to the learned habits of the old tonality.
Actually I found this pretty funny after reading through the Truth or dare thread. What is interesting is that this thread seems to be "devolving" in to a serious discussion on tonality
What is interesting is that this thread seems to be "devolving" in to a serious discussion
Okay so i hate to sound stupid. But what exactly is atonal music?