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Topic: Beethoven - Sonata in Ab, op. 110  (Read 1926 times)

Offline pianovirus

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Beethoven - Sonata in Ab, op. 110
on: March 30, 2014, 02:33:43 PM
I have been working on this sonata for some time now and will let it rest for the moment. So I decided to take a snapshot of where I am with it now, always good even for myself when I come back to the pieces for further work after a while. Comments/criticism welcome!

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Offline nick

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Re: Beethoven - Sonata in Ab, op. 110
Reply #1 on: March 31, 2014, 11:36:40 AM
I have been working on this sonata for some time now and will let it rest for the moment. So I decided to take a snapshot of where I am with it now, always good even for myself when I come back to the pieces for further work after a while. Comments/criticism welcome!



Although I don't know this one I liked your playing! Very nice touch, phrasing, in short sounded like I think was intended. Good job!

Nick

Offline pianovirus

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Re: Beethoven - Sonata in Ab, op. 110
Reply #2 on: April 03, 2014, 09:40:28 AM
Thank you for that encouraging feedback, Nick!
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Offline ronde_des_sylphes

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Re: Beethoven - Sonata in Ab, op. 110
Reply #3 on: April 03, 2014, 10:53:25 AM
Very polished, and a nice cantabile sound.

I don't have the score to hand, but a few minor observations:

You could make more of the arrival on the top Eb at 4.57.
At 7.10 and 7.29, etc I would try to increase the contrast between the pp and ff chords: I would try for a more volcanic sound on the loud chords, so that the mood of the chords is more differentiated, not just a loud/soft contrast. More staccato/brittle, less tenuto perhaps? I hope that's clear - it's not easy to explain!
I liked the way you played the recitatives.
In the section after the fugue, as in the Arioso, I appreciated the use of vocal phrasing.
Re the last two pages, I was at a masterclass last summer where the teacher taught them as a gradual accel from (found my score now!) bar 166 (poco a poco piu moto) all the way through to the end. I can see his point - your accel is a bit sudden and then has nowhere left to go. He was suggesting as guidance something like a further metronome notch for every line of the score iirc.

Good work!

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A previously unknown manuscript by Frédéric Chopin has been discovered at New York’s Morgan Library and Museum. The handwritten score is titled “Valse” and consists of 24 bars of music in the key of A minor and is considered a major discovery in the wold of classical piano music. Read more
 

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