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Topic: Clementi Sonatina in C Major - Opus 36 no. 3  (Read 2251 times)

Offline rosesarered0549

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Clementi Sonatina in C Major - Opus 36 no. 3
on: April 15, 2014, 09:48:51 PM
I am fairly new to this forum and am just getting back into piano as an adult after a long absence.  I am starting back at an intermediate level and working on rebuilding skills and learning skills that I never learned at all when I was taking lessons many years ago.  I find it helps me to build visual images when I practice and play so that I can bring more feeling and emotion into my pieces.  I have trouble coming up with a visual image for the Clementi Sonatina in C Major- opus 36 No 3 that I connect with strongly.  I hope this isn't a stupid question but I am curious what images other may use when they work on this piece.  Thank you for any ideas. :)

Offline kriatina

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Re: Clementi Sonatina in C Major - Opus 36 no. 3
Reply #1 on: April 19, 2014, 09:11:28 AM
...I would like to know a few examples of your visual pictures of some other pieces
   to understand your question better.
...Are you interested to visualize certain pictures of feelings in Clementi's Sonatina in C Major
    op. 36 No.3 ?
... Or are you interested to know what Clementi tried to express with this Sonatina?
... Or are you interested to know Clementi's circumstances whilst composing this Sonatina?
Bach was no pioneer; his style was not influenced by any past or contemporary century.
  He was completion and fulfillment in itself, like a meteor which follows its own path.
-Robert Schumann -

Offline hfmadopter

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Re: Clementi Sonatina in C Major - Opus 36 no. 3
Reply #2 on: April 19, 2014, 11:59:56 AM
For some reason I see carnival rides with that one and more so it's a slanted vignetted vision of a merry go round. I have not practiced Clementi sonatinas in a long time but I just popped up a you tube version and that's what I got.

I too sometimes, many times, well most of the time really, form visions while playing or practicing.
Depressing the pedal on an out of tune acoustic piano and playing does not result in tonal color control or add interest, it's called obnoxious.

Offline kriatina

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Re: Clementi Sonatina in C Major - Opus 36 no. 3
Reply #3 on: April 19, 2014, 06:27:07 PM
Hello,
I associate Clementi’s compositions with his “happy go lucky” life
and I also associate Clementi’s compositions with his readiness
 to embark on all sorts of adventures throughout his life...
... For example, he had received a special permission from Napoleon to travel
wherever he wanted to travel in order to  promote his square pianos... or to give concerts ...
... At a time when most people made a dash to avoid any contact with Napoleons army,
 Clementi travelled unharmed to Russia with this special permission from Napoleon...
... Clementi also spoke five languages, was a very refined diplomat and an astute businessman
 and – for example - he received Beethoven’s permission (Beethoven admired Clementi)
to publish Beethoven’s work in England.
...Clementi played the piano every day and was seen to go every morning
for a brisk walk in his garden to keep fit...

... When he was a young man, he eloped with his great love...
... but Clementi and his girlfriend were eventually found by her father who followed them,
and, being a very rich merchant/businessman from France, he would not give permission
 for his daughter to marry a “mere musician”.
After locating them, the father made sure that Clementi never saw her again
and she had to return to Lyon with her father ...
As a result, Clementi became at first very depressed and  then,
perhaps as a result of this experience he went into business to produce pianos
and publish scores of piano music.
 Clementi specialized in the tonality of his pianos and they became a great success.
He was buried in Westminster Abbey and his funeral was almost a state funeral...

... I associate Clementi's music with his life ...

...Unfortunately his music is sometimes played a bit fast and I think,
his compositions do not like haste.
Since he specialized in tonality, I believe his compositions want to be enjoyed
in their tonality and do not want to be played so fast...

... That is my opinion

Good luck from Kristina
Bach was no pioneer; his style was not influenced by any past or contemporary century.
  He was completion and fulfillment in itself, like a meteor which follows its own path.
-Robert Schumann -

Offline rosesarered0549

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Re: Clementi Sonatina in C Major - Opus 36 no. 3
Reply #4 on: June 03, 2014, 07:45:47 PM
Thank you so much for all of your input.  This will help me very much and the history on Clementi and his life is fascinating.  I will try some of these examples when I play.  I find that focusing on people and experiences helps me feel the music.  For example:  when I play Bergmuller (The Storm)  I can feel the rise and fall of water and the waves crashing into the boat on a crossing I did from Inishmoor in Ireland on a very thundery, stormy afternoon and the cold that remains in the air as the storm subsides.  The merry go round image is wonderful and knowing a bit more about his life gives me a few more ideas to play with.  Thank you.
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