NO.
I believe masculine repertoire doesn't have the poncy acute accent on the e.
First, I will admit that I pounced at the chance to pedantically correct you. There is an accent aigu on the first e, if you take the French pronunciation.
And I still don't understand the whole idea of masculine repertoire.
Well, in an article about Helene Grimaud, the term masculine repertoire was used. Pieces are referred to in this manner, when a woman plays a piece that seems more suitable for a man, than a sensuous, delicate woman. Or something like that. Definitely Prok, though. And Stravinsky.
Sounds like sexist rubbish to me. Go listen to Myra Hess do the Appassionata.
Indeed - or Argerich play Rach 3...Best,Alistair
Speaking of Rach 3 and masculinity, I listened to this performance last week, and I don't think I've ever heard the ossia cadenza played this powerfully.
Of course almost all piano repertoire is written for men. It is written by men, for men. A composer writes from his own starting point and since women has not been allowed to take a big part in society (culture, positions of power, whatever) not much has been created by women, for women. Unfortunately we live in a world that has always neglected female capacity, altough we can clearly see that is is changing Just think of all the musical geniuses we could have had if women had the same rights as men during the last centuries.. Thinking especially of some personal favourites who managed to stick their names into musical history despite trouble with their gender (Cécile Chaminade is a good example...).
Of course almost all piano repertoire is written for men. It is written by men, for men.
Elise was a man? Therese?Schumann rewrote the last movement of his second Piano Sonata specifically for Clara (at her insistence).What about the Transcendental Etudes? I suspect quite a lot of the repertoire written by men was written to impress the ladies. And often for no other reason.
Exactly. Impress the ladies, LIKE, "LOOK WHAT I CAN DO, BECAUSE I HAVE ALL THAT TESTOSTERONE!!"
So all you want are show off pieces?
No. That is a really cold way of putting it. But I do have a lot of testosterone that I need to manage, somehow... I actually have my pieces picked out and started, and these should keep me busy for a few months, now. I'm really just trying to find my niche, where I am happily working, and easily ignoring those who say that classical music and piano is a dying art...
There is a pretty Freudian explanation to that: Men simply have higher and more persistent libidos. If not used in sexual activities, or rather if one is not able to do so (I'm not sure if celibacy would work), it is discharged in an other way. Werther commits suicide and some people create art instead. Therefore, it not only boosts your creative potential, but is almost always the reason for the creation of great art, especially in the romantic era, since in other eras there were and are other purposes and ideal contents for art. That's called sublimation.
This may sound kinda weird, but I like that my deep love is unrequited, so my sexual drive remains repressed.
So you are basically saying that men with repressed sexual and/or romantic desires are the reason for great art?
@jmenz, what about Bach and Mozart? I have my theories, but what is your point? (Not to sound rude! I mean, are you trying to make an exception?)
They were both married (Bach twice), apparently happily, and had children at a rate that suggests a regular sex life. Not exactly the frustrated, loveless, miserable life suggested as a prerequisite for the creation of great art.
You guys are hastily accusing one another and jumping to conclusions.
Welcome to pianostreet...