I'm not very pleased with the way they selected the finalists
Last pianist has finished. Any favorites?
It seems a shame that all the compulsory elements (the two commissioned pieces aside), and the "A Romantic Piece" and "A Classical Piece" for the elective elements are so unadventurous. It's hard to conceive that Rubinstein, who championed so much non-standard repertoire in his own time, could be anything other than appalled.
The world of classical music is so strict.
And yet so adoring of those who broke the rules - so long as they did it many years ago.
Steven Lin that son of a gun. He better win this, i'm betting my savings on this guy.
I agree dude... but Marcin Koziak is pretty good as well... and there's Colafelice whose age will impress the judges (also, he won the Gina Bachauer a while back)
LINSANITY has shook up the world again! this time in piano playing circles.
Wow... the discussion here, as I already said, is REALLY boring...I have defected to PianoWorld... bye!Meanwhile, I just want to say that I have converted to Linsanity-ism as well. I liked Steven Lin, but I wasn't super crazy about his playing. But after listening to his Beethoven 1...
All right, I guess PianoStreet is still better for piano-performance related discussions, even if PianoWorld has a more active Rubinstein Comp. topic...Ok guys the "C" part of the finals (the other, romantic concerto) is starting tomorrow.I'm still a fan of Steven Lin, but I think Seong-jin Cho is more likely to win; not only was his Mozart K467 very colorful and involved (although some people may object to his rubato), but his chamber music performance had a lot more sensitivity and cooperation with the string performers that Lin's too. Cho also has an advantage in that the other Mozart K467 player, Maria Mazo, was not as good
7 more hours to go! until steven lin plays Prok 2. My eyes will be on his performance of the cadenza. I'm surprised that he chose this concerto since it's quite a percussive sounding piece that won't allow him to display much of his beautiful, singing tone. I'm still hoping for it to be a spectacle though, the piece definitely ends with a bang.
Steven Lin's Prok 2 is awesome! I thought Baryshevskyi might have an advantage in playing Prok2, (heavy Russian stuff) but nope... plus the Fazioli under his hands sounded bad (stick with Steinway!). Leonardo Colafelice's Rach 3 was a mature performance but unfortunately full of wrong notes- and not just minor mistakes; there was one really big mess-up at around 2:21:00 in the video!
I just tuned in. What were the best solo performances that I should listen to? I was not impressed with that guy who played the Chopin Op.25 Etudes so nothing from him, please.
What were the best solo performances that I should listen to?
So I'm listening to Lin's Don Juan and when he gets to the lyrical parts, I find myself incredibly annoyed. The melody is so flat; the charm is non-existent. He also plays it too slowly so that the phrasing isn't very clear but all the pianistic nuances are which are there principally for decoration but it's competing with the melody. Okay. I'm done listening to that. I was getting too annoyed and irritated. If I were in the audience, I would've gotten up and left.
So I'm listening to Lin's Don Juan and when he gets to the lyrical parts, I find myself incredibly annoyed.
I suspect that shortens the odds of him winning somewhat.
One issue I keep on hearing from a number of competitors is that the soft lyrical parts of loud-fast pieces are pretty bland. The melody doesn't rise as it ascends and it doesn't soften as it descends - it sounds pretty flat and uninteresting. Cho's rendition of the Liszt Sonata falls under this criticism. Only the loud-fast parts are musically shaped and expressive. But due to the extremes in dynamics, it feels on-off-on-off-on-off, like a light switch. This prevents forward momentum from ever being achieved and, especially in this piece with its multiple contrasting themes and moods, forward moment is necessary to keep the piece unified. I'm so bored listening to it because it's not communicating effectively. I don't want to hear piano playing, I just want to hear music-making.
I don't watch, I listen so I don't care for pianism. My comments were accurate and is supported by scientific evidence.I'll give the Liszt Sonata a listen.
oh and what did you think of Lin's beethoven 1?
My ears are not faulty, they are extremely sensitive to all the minute nuanced details that no one seems bothered by but me.I'll have to listen to it later. Right now, I'm listening to one of the Japanese contestants play the Chopin 3rd sonata in State 2. I'm pretty certain she didn't advance to the finals.
Ooh, that's a tall order!And yes one of the Japanese contestants was really good but didn't get into the finals. Her name was Naomi Kudo- did she also play the Haydn C major sonata? I kinda skipped through the semi final videos so I didn't hear her Chopin 3rd sonata. It must have been really good though.
Ooh, that's a tall order!
My ears are not faulty, they are extremely sensitive to all the minute nuanced details that no one seems bothered by but me.
My ears are not faulty,
Prove it... please ..... Just because you claim they aren't faulty, doesn't cut the ice with us.Show us....From the countless posts you have made so far, I could have sworn you were tone deaf, and haven't played the piano (jeezz... recommending someone who's only had 7/8 month's piano experience play Ligetti's Devil's staircase!). Seriously! ... I respect free speech and all but what you recommend is sheer lunacy!
Since you obviously have issues: you think loud+fast=difficult.
My ears are not faulty
Prove it!
blah blah...
For this very reason alone, and I know many pianists who think exactly the same way (whom I dread discussing piano and music with), you do not play the piano well.
No one who plays the piano effortlessly would ever think that fast+loud=difficult.
Anyway, I could go on, but I'll just ignore you from now on since you're just trolling.
If you have musical or technical issues (which I'm pretty certain you do), PM me and I'll help you out.
(whom I dread discussing piano and music with),
With "whom".