Here's one of mine:Rach 3 Mvmnt 3 @ 7:20
I tend to think that if a part of a work is worth listening to again that the composer put a repeat on it, or the entire work is worth a repeat . other than that it's out of context, like saying omg such an awesome sentence I just read I need I back and re-read the word right after that comma lolI was tempted to pull a little bit out of this but found myself expanding my favorite section to the point where I was re listening to the whole thing haha, and it's a short enough piece that it feels like a snippet but also 'complete' ,dat crazy fast moving harmonix progression reminds me if kapustin op 40 no 1 in a couple spots lol
Oh yes that certainly owes a lot to Kapustin. It goes through all the motions, but lacks whatmakes Kapustin's music really great: determination, cohesion, structure, and melodic beauty, toname but some virtues. Would this be a digital rendering or played by real fingers ? In the lattercase it's very good indeed. But we know Asian players, especially Japanese, are very good atplaying Kapustin.
I have a question about the Rach 3 third movement video earlier in the forum topic:Does anyone know of a recording/video in which the ossic version is played at 7:57-8:00?