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Topic: latest Waltz op 64 no 2  (Read 4029 times)

Offline dima_76557

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Re: latest Waltz op 64 no 2
Reply #50 on: October 11, 2014, 03:37:27 AM
I'm afraid it's a style that took me years to understand - sometimes described as an early 19th century Paris thing.  I'm not about to go backwards.  My style does not rely on skeletal support, difficult as that may make it.

In that case, you are surely making life more difficult for yourself than it could be. You can't walk on a balance beam before you learn to find balance on the floor, you know. :)
No amount of how-to information is going to work if you have the wrong mindset, the wrong guiding philosophies. Avoid losers like the plague, and gather with and learn from winners only.

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #51 on: October 11, 2014, 07:10:31 AM
Quote from: dima_76557link=topic=56359.msg608180#msg608180 date=1412998647
The tiny movement you need comes from the knuckle bridge with the slight "pressure" felt as not going towards the finger, but to the outside of the palm .... Preferably no deliberate movements in the other joints...

In that case, you are surely making life more difficult for yourself than it could be. You can't walk on a balance beam before you learn to find balance on the floor, you know. :)
You would seem to have a single model of piano playing in your head and are consequently mixing chalk with cheese.  I don't play from the knuckles, I play from the nail joint.  I don't walk, I creep!
B Mus, PGCE, DipABRSM

Offline dima_76557

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Re: latest Waltz op 64 no 2
Reply #52 on: October 11, 2014, 08:05:07 AM
You would seem to have a single model of piano playing in your head and are consequently mixing chalk with cheese.  I don't play from the knuckles, I play from the nail joint.  I don't walk, I creep!

Even creeping requires skeletal support, only the balance problem is reduced, so I don't think your analogy works here.

The ones who write about the carrezando technique simply misunderstood it. It can't be done without skeletal support because that would be akin to "hydro sprinting" a.k.a. liquid mountaineering, which is a hoax.

You simply have to know where the point of sound is, time your movements accordingly and release immediately when you hear the sound result. It does in no way depend on any movements of the nail joints, although the latter may accompany it. Instead, the artistic image you want to hear should guide you to get the results you want, not that fingernail joint business. Again IMHO. :)
No amount of how-to information is going to work if you have the wrong mindset, the wrong guiding philosophies. Avoid losers like the plague, and gather with and learn from winners only.

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #53 on: October 11, 2014, 08:32:12 AM
Quote from: dima_76557link=topic=56359.msg608195#msg608195 date=1413014707
You simply have to know where the point of sound is, time your movements accordingly and release immediately when you hear the sound result.
That I agree 100% with
Quote
It does in no way depend on any movements of the nail joints,
In my case it does.  I initiate the movement by the nail joint.
B Mus, PGCE, DipABRSM

Offline dima_76557

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Re: latest Waltz op 64 no 2
Reply #54 on: October 11, 2014, 08:45:29 AM
In my case it does.  I initiate the movement by the nail joint.

I told you already: initiating at the nail joint depends (at least) on some support in the knuckle bridge. Without the latter, you'll always depend on mere coincidence and you *can't* predict the result.
P.S.: Instead of concentrating on the separate finger movements, let the artistic image dictate what is right.
No amount of how-to information is going to work if you have the wrong mindset, the wrong guiding philosophies. Avoid losers like the plague, and gather with and learn from winners only.

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #55 on: October 11, 2014, 08:52:56 AM
There are different styles of playing.  You play from the knuckle like 95% of players and I play from the nail joint.  It's chalk vs cheese!
B Mus, PGCE, DipABRSM

Offline nyiregyhazi

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Re: latest Waltz op 64 no 2
Reply #56 on: October 11, 2014, 12:14:19 PM
There are different styles of playing.  You play from the knuckle like 95% of players and I play from the nail joint.  It's chalk vs cheese!

As are the results. Be arrogant when your results contain tonal control and the possibility of a real pp.

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #57 on: October 11, 2014, 12:42:19 PM
Be arrogant...
That's rich, coming from the forum's own self-appointed caped crusader!  You've cried wolf so many times it's meaningless.
B Mus, PGCE, DipABRSM

Offline nyiregyhazi

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Re: latest Waltz op 64 no 2
Reply #58 on: October 11, 2014, 07:26:01 PM
That's rich, coming from the forum's own self-appointed caped crusader!  You've cried wolf so many times it's meaningless.

I don't even know what your mixed metaphor is supposed to mean. But you can learn to play pp before you start throwing advice back in people's faces. Success is the first thing required if you want to indulge in hubris. Listener's will not give two shits what text you can quote. They care about how you sound. If you can't play quietly with your method, you need to find a new one.

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #59 on: October 11, 2014, 07:33:53 PM
I forgot you just get more vicious if your bluff is called.   I'll leave sleeping dogs to lie.
B Mus, PGCE, DipABRSM

Offline nyiregyhazi

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Re: latest Waltz op 64 no 2
Reply #60 on: October 11, 2014, 07:36:43 PM
I forgot you just get more vicious if your bluff is called.   I'll leave sleeping dogs to lie.

No, don't let anything lie. Learn the humility to accept excellent advice without trying to use a textbook to disprove it. Disprove it by accomplishing pp with your method, or ask yourself why you currently cannot do so.

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #61 on: October 11, 2014, 08:08:59 PM
Learn the humility to accept excellent advice...
You mean be humble before your blog of bullshit?  You're kidding right?

edit: of course how silly of me:
B Mus, PGCE, DipABRSM

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #62 on: October 14, 2014, 08:29:05 AM
opps
B Mus, PGCE, DipABRSM

Offline cbreemer

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Re: latest Waltz op 64 no 2
Reply #63 on: October 14, 2014, 08:55:14 PM
Sounds like your piano is full of Rockwool  ;D

Offline hardy_practice

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Re: latest Waltz op 64 no 2
Reply #64 on: October 15, 2014, 09:29:27 AM
Sounds like your piano is full of Rockwool  ;D
So my rubato won't affront the neighbours!
B Mus, PGCE, DipABRSM
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