How about you guys? POST YOUR HAND SIZE!
POST YOUR HAND SIZE!
Where do I measure for the width??
Hand span: 11th, comfortable. 12th, !@#@%!#@.P/S: my pinky and thumb can make a perfect 180 degree, probably help a lot when playing large intervals.
A good stretch between 2 and 5, though, is quite often assumed. Ideal seems to be a ninth.
I'll give up
No need to. I'm talking about the kind of repertoire that you may not even want to play.
How do you know what type of repertoire he wants to play?
Outin has written more than once about her likes and dislikes. There's lots of suitable repertoire for her hands. Should she stumble upon problems in this respect, I'll be more than happy to suggest ways around certain problems.
But it still seems huge for most females to be able to play over an octave with 2 and 5. I can just about do a 7th because my 2nd is long
It's not that you have to really play a 9th with 2-5. It's more a principle that is meant to avoid injury. It's an assumed finger span to be able to play the music as written without hurting yourself, without really having to stretch your fingers while playing, much like a ballerina is expected to do the splits, although she will hardly use it in performance.
i bet for you with monster hands that can reach 11ths and 12ths this chord is easy grrrrrrr.
No need to. I'm talking about the kind of repertoire that you may not even want to play. If you have that kind of stretch, you won't have to stretch at all in the pieces themselves, which is just convenient. Besides, there are always musical solutions around the problems.
I'm struggling to think of an instance where this is required. Perhaps you could provide an example.
You won't be able to find it because there aren't any where you have to do it physically. The principle is simple ergonomics: it's good to have more than required so you will never be using your limit. Cortot thinks an octave is enough between 2-5. Actually, he has a table of all "ideal" stretches between all the fingers:
You won't be able to find it because there aren't any where you have to do it physically. The principle is simple ergonomics: it's good to have more than required so you will never be using your limit.
Cortot thinks an octave is enough between 2-5. Actually, he has a table of all "ideal" stretches between all the fingers:
Better still to learn to work with what you've got. That isn't going to change.
Oh dear...maybe this explains why playing is so difficult for me physically. I can barely make a 3rd with 4-5 and it already requires me to turn my hand... I have this tight webbing between my fingers that doesn't seem to respond to any kind of streching exercises...I would need to use scissors to change that
Please have a look at the following 2 clips about 7/8 keyboard pianos and how they change people's lives:Reduced-Size Keyboards Part 1 (the professor there has a very particular pronunciation of the word "piAnists". )Reduced-Size Keyboards Part 2So instead of blaming either Cortot or nature, or - worse even - denying the problem and coming up with methods of piano playing that produce superficial musical results, it would be best to address the problem seriously and force the dealers to produce and sell more of these.
Enormous! I can easily stretch an octave and fairly easily stretch to 12 notes. I also wear a size 11 shoe.
I have the opposite problem. My fingers are about an inch too long. Fine for the big stretches, but for most notes it's like trying to scramble eggs with a three-foot spatula. Any cures for this, short of surgery?
I don't think it matters what hand size you have. There are difficulties in playing both stretches and notes that are close together. No matter what size hands you have, you should have a difficulty toward one of those.
Yes, I have big hands and long fingers. In fact, when it comes to hand and finger size I'm something of a genetic oddity.And, this is not scientific, but I also weight lift and I think having overall body strength (including grip strength) makes it more possible to for me to do things which my hands than wouldn't be achievable if I wasn't so freaking strong!
It's about proportions, I think, not about absolute size. Ideal would seem a broad hand palm with fingers that are not too long in comparison and that don't differ too much from each other in length, otherwise technical problems are bound to occur in any type of music. For small hands, flexibility is a must. For bigger hands - compactness of the palm.