Supposedly it gets a few pitches higher, as you get older. Shostakovich had the problem of having perfect pitch, then it raises a few pitches and you hear everything in a completely new key. Richter also had that problem in his later years.
I always wonder, do they hear the difference in a note depending on its function? To me the same note as root of a chord or say, middle of a chord sounds very different.
Oh yes. I've got perfect pitch, and to me that makes harmonic relations all the more salient.On the other hand, melodic contours lose their saliency. It can be very difficult for me to identify a structural relationship based upon a melodic contour, even if it's staring me right in the face - I usually have to key off of something else, like the rhythm, and then say, "oh! there it is!"
In melodic dictation, if we don't start on the tonic and I hear chromaticism and accidentals, I'm like…"where the hell are we?" and then I hear the tonic or new tonic and it all makes sense.
Actually, the chromaticism is what sticks out to identify most easily with perfect pitch.
Greetings. I am a piano perfomer since I was 5 years old. Today I'm 17. I realized I had perfect pitch from a young age. Now here is the thing. I was practising for the last 1.5 year in an out of tune piano, which I tuned recently. My teacher told me that if I was playing in an out of tune piano I would lose my perfect pitch. Although I think have not lost it , I might sometimes hear some notes very very slightly lower pitched but to the point that I can recognize them. Generally, if someone like me has the innate ability to have perfect pitch, can by any means lose it?Another, rather contradictory I would say, question I have is if perfect pitch is that useful for perfomers. The only thing this has helped me is in fascinating people and making them say "OMG u have perfect pitch what" and in recognising some notes in some piano pieces. Is perfect pitch a bit overestimated?Thank you.P.S : Sorry if my English was terrible. It is not my primary language.