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Offline throwawaynotreally

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on: November 22, 2014, 10:12:02 PM
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Offline pianoman1349

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Without a doubt, use original copies for the exam.  Not only does it appear more "professional," photocopies for this purpose may violate copyright law depending on the work copied and the editions involved

Offline j_menz

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Quote
7.4 Photocopies
We subscribe to the Music Publishers Association’s Code of Fair Practice (available at www.mpaonline.org.uk/Publications/The_Code_of_Fair_Practice_in_Full.html), which states:
‘Nothing done for the purpose of an examination (including continuous assessment) infringes copyright, except that candidates performing a musical work in an examination may not use reprographic copies’.
What this means in practice is that:
· you must bring an original copy of the music to the examination room (even if you play/sing from memory)
· you can give a photocopy of this original copy to the examiner
· all photocopies supplied to the examiner will be retained after the examination and destroyed
· if there is no original in the room and you play from photocopies you are liable to disqualification.

That's the Trinity website and seems to answer your question.
"What the world needs is more geniuses with humility. There are so few of us left" -- Oscar Levant

Offline throwawaynotreally

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Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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