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Topic: Tremolos in Pathetique Sonata 1st mov  (Read 3020 times)

Offline eduardom

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Tremolos in Pathetique Sonata 1st mov
on: November 29, 2014, 10:55:33 AM
Any tips on playing the tremolos at the start of the pathetique sonata? (just after the introduction part) I have been struggling this last week in giving speed to that part but I really have some problems in playing it smoothly.

Offline pianoplayer002

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #1 on: November 29, 2014, 01:48:48 PM
Try to feel like the movement for playing each key is coming from the very tip of the finger. The finger tip feels active and "leads" the movement. You need to make sure that your wrist, elbow and shoulder are completely supple and free of tension before, after and during each movement, following the fingertips wherever they wish to go without resistence. Other than that you just need to work patiently and speed will come.

Offline lalo57

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #2 on: December 19, 2014, 02:03:04 PM
A dramatically easier approach to the tremolos in Pathétique is through a slight move of the wrist rather than just the fingers. You need strength for doing them right and in a musical, crescendo, diminuendo, nice touch fashion. It is the position of your arm, a really really relaxed wrist and hand, coupled with a really smooth and controlled move. Piano is way more than simply fingers.

Offline liszt1022

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #3 on: December 19, 2014, 02:17:43 PM
Much has been said on the topic around here, actually. Take a look in here and see what you can find:
https://www.pianostreet.com/index_sr.php?cx=006699662278131543491%3Aytxfri5hths&cof=FORID%3A10%3BNB%3A1&ie=SO-8859-1&q=pathetique+tremolos&sa=Search

Offline luct

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #4 on: January 03, 2015, 05:32:17 PM
Hi, I'm a student of piano, like you I am studying the pathetique of Beethoven, about the tremolo, as well as advice that you were given, you have to begin at a low speed, gradually increase, this just the hand is prepared 100% ,do not rush, can pass even weeks to go from one speed to another speed, repeat even the old speed over time,plays the tremolo also separate hands.

Offline toomuchpolitics

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #5 on: January 04, 2015, 04:57:53 PM
You may find this useful

Offline faulty_damper

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #6 on: January 04, 2015, 05:57:16 PM
You may find this useful


The movements she's using in the video are inefficient and requires muscular effort at musical tempo.  Certain movements are useful for the downbeat accent, however, the rest of it is a waste of energy due to its mechanical inefficiency. This then requires muscular effort to make up for that inefficiency which leads to muscular fatigue.

Offline toomuchpolitics

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #7 on: January 05, 2015, 12:43:58 AM
I personally do not use those movements when playing the Pathetique, however, I was tearing my hair out with a transfer student who was unable to sustain any type of tremolo for any period of time due to small hands, tight webbing and overall tightness of the arms.  Using this type of movement, she was able to overcome this problem and play the piece satisfactorily to pass her Associate diploma exam.

Offline luct

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Re: Tremolos in Pathetique Sonata 1st mov
Reply #8 on: January 05, 2015, 02:14:30 PM
, Miytical Lisitsa,
, Zimerman, Observed Their movements of the tremolo, in the sixth minute Lisitsa, in the ninth Zimerman, they perform different movements, the question is which of the two movements is the best?
For more information about this topic, click search below!

Piano Street Magazine:
A Life with Beethoven – Moritz Winkelmann

What does it take to get a true grip on Beethoven? A winner of the Beethoven Competition in Bonn, pianist Moritz Winkelmann has built a formidable reputation for his Beethoven interpretations, shaped by a lifetime of immersion in the works and instruction from the legendary Leon Fleisher. Eric Schoones from the German/Dutch magazine PIANIST had a conversation with him. Read more
 

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