Mostly, the structure of t&v actually doesn't appeal to me..

- especially in the usual way it is employed.. I wasn't even crazy about the goldberg's at first.. ("Too much 'G' tonality for too long" was my aversion). But, as i was going thru mostly everything that Bach wrote for keyboard, I decided to take it on.. Well it became a love affair.. and do still play it regularly as a 'track run' - for years. But Bach's approach to this medium is very different than most… Notice how the melody from the aria has been seriously messed with Sometimes loosing any connection (it would seem) in the following variations.. It it the bass contour that is the more consistent..
A couple of years back, i was excited to see Schiff perform them. Got my ticket. Front row. The concert started at 7:30… (All his other performances there had started a 8:00).. I showed up at 7:35 thinking i was going to take my seat and settle in for a most tremendous ride.. They wouldn't let me in after he started.. I was in shock. Dumbfounded. .. I don't think i ever looked so forward to a concert.
I sat at the bar area and was left with a giant screen that had a picture of the stage about the size of a stamp. The sound of clanking glasses and chatter surrounded me as i put my ear to the screen .. hearing the performance squeezing thru something that sounded like a phone's speaker.. It killed me. Then after intermission, i took my seat to hear the Diabeli variations… and it was close to torture..
I appreciate the response of others here.. I know the Copland, like the last few variations best.
I listened to the first mov't. of the Tsch. - Didn't really grab me. i didn't make it to the middle mov't, which i shall try today.
There is another set of variations written in the 20th century that i really like, (heard in passing on the radio) but i am drawing a blank on the composer.
I'll have to check out the Alkan.
Thanks Josh for starting this thread. I would like to add a few more to the ones i like in this category, and i appreciate the response of others.

( ps.. Hey, what's in a name, anyways? one's nemesis?

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