Hansen is right up my alley for sure. I love pianists like him. Reminds me of Cortot, who you all know I virtually worship haha.
Ivett's performance of the etude is marvelous (and she's gorgeous so she gets extra points from me haha) But no one plays it like Eric Lu =3h29m50s
im not sure about each round, but some pieces i will definitely include if i make it in are: op 25 no 5op 25 no 11nocturne op 48 no 1scherzo #2ballade #4fantaisie in f minorheroic polonaiseandante spianato et grand polonaisesonata #2concerto #1
The program I'm going to run with/prepare isRound 1: Ballade 1, Nocturne Op.27 No.2, Etude Op.10 No.8, Etude Op.10 No.11Round 2: Scherzo 4, Waltz Op.42, Andante Spianato and Grande Polonaise Op.22, Mazurka Op.67 No.4, Mazurka Op.68 No.4Round 3: Piano Sonata No.3, Mazurkas Op.59, Nocturne Op.62 No.1, Impromptu Op.29 Finals: Concerto 2
We are going to have VERY different programs.
OK, let's see.... You are NOT going to do Sonata #2
Not sure about stage 2 but I feel that 34/3, 72/2, and the nouvelles need some love.
kick my butt
Correct! Here's mine...I: Barcarolle, Etude 10/10, Etude 25/5, Nocturne 62/1II: Ballade 1, Waltz 34/3, Polonaises Op. 26, Nocturne 72/2, 3 Nouvelle EtudesIII: 24 Preludes, Mazurkas Op. 50, Nocturne 15/2Final (yeah right): F minorNot sure about stage 2 but I feel that 34/3, 72/2, and the nouvelles need some love.
I'd rather be more diverse in my programming than doing all the ballades. I might do 4 in 3rd round, if i get there of course
Awesome rep Noah! The nocturne is 72 1, not 2 . Looking forward to seeing you there in five years and having you kick my butt!
Dude we'll have to go to all the best cafe's in warsaw and do a bunch of fun stuff together if we go!
No but we're like best online piano buds because we have so much in common haha
Post it in the audition room!
Actually, I'll post it here:https://cdn.kutasoftware.com/Worksheets/Geo/1-Simplifying%20Square%20Roots.pdf
If u refuse to appreciate the genius of Hansen, fine. He is like another Pogorelich. Except, Hansen's eccentricities help the music, while Pogorelich's destroy the music.
I don't know what to make of his playing. It's certainly good- he has really good command of his technique and musical ideas (both of which set him apart from many of the other competitors). But his ideas come off as somewhat eccentric. They are "interesting" - dynamic changes, inner voices, etc.- but after a while the "interesting" seems to become an end to itself or over-the-top (beginning of Ballade 4- !!). Whether or not he gets in depends on what the judges think of such playing- perhaps they prefer more "conventional" performances...
Uh, I would disagree... Pogorelich was great before 2000 (haven't we been over this??). And as for Hansen, quoting my long-ass comment on his qualifier performanceIn my opinion, the beginning of his Ballade 4 was waaaay overwrought. He chooses to "swell" passionately and accelerate the tempo. This seems like a "natural," "emotional" approach to the music. But it doesn't seem like one that took mature deliberation to decide and formulate...
Yes totally! If you aren't there with Ivett instead... LOL!!!!
Oh that's so difficult. NOT! Compared to my pre calc anyway.
Sometimes swelling can be a good thing. At least it's better than being a metronomic ass like my b!tch teacher.I thought that Hansen's swelling was natural, I. e. instinct. However, I forgot what the beginning sounded like, so I'm not sure. Usually I start paying attention at the Exposition, which is where all the musicality tests start. His swelling wasn't like Lang Lang's. Lang Lang's swelling doesn't sound like instinct, and it CERTAINLY doesn't improve the music. As for Pogorelich, I think that his Ballade 2 performance from the Chopin Competition is really dull, and so is his Prelude Op. 28 #11. Those are the only Chopin pieces I heard him play before he became a wierdo.
What about his Second Sonata?? Third? And from other composers: His Gaspard?? You should also listen to his Scarlatti It's interesting what you say about "swelling" - "it can be good y'know!" But I feel it's almost always more bad than good. Maybe I'll have to listen to Hansen's playing again. (By the way, I didn't say I didn't like it- I think he's one of the most distinctive competitors in here; he'll probably advance.)
AJ would TOTALLY want to go with you instead of Ivett. It's such a no-brainer
>talking like a male< bruh, your pre calc is like Chopin Sonata 3.
I don't know... there were a LOT of hearts on her picture on that attractive pianists thread
Exactly. Sonata 3.
plus the first movement of the e minor is too damn long
I wrote Bartok 3, dumbass. If I wanted a Sonata in b minor, I could've wrote "Liszt's Sonata".
I'm learning that!Also- YouTube's partnerships with CD companies mean that a LOT of albums are available on YouTube
Man, because of the Chopin COmeptition, Zimerman's 4th Ballade is no longer my favorite!
whose is it now then?
no