Total Members Voted: 9
One word , "Scott Joplin" Go through each of his pieces slowly but in rythm and go through his whole book. Then start over. You will begin to recognize certain chord groupings immediately where your fingers will go to them like a computer keyboard. These chords appear everywhere in classical repertory. I have worked on Scott Joplin for about half a year primarily in my return to piano several years ago.
And, for the first 5-6 weeks, the congregation got to practice forgiveness.
Lol at the similarity in my name and person before meAnyway,1. New material, all the time
Im 18 years old and learned piano since age of 6 and im currently grade 8 but im sight read are bad. i can only sight read easy piano pieces around grade 3-4 (with minor mistake).
it's surprising how many people think they should be able to sightread at their level, when their level is low. Most people can only sightread way below what they can prepare. If you're a level 1 or 2 player, there IS no way below.
xdjuicebox has the most common advice that you will find.Especially to use Bach chorales as sight reading material and to read each chord going from the lowest to highest note.I have done this and it helped improve my sight reading.
Are there any exercises i can do that specifically improve spacial awareness with "feeling" big intervals without having to look
Something I've been trying as a weird exercise, I don't know if it works or not, but just sharing:Whether at or away the piano, read music, and try to immediately see those notes being played in your mind. That's made my reading slightly better. Let me know if it works for you!
Hey, dumb question: ive been told i could be getting work accompanying a choir on keyboard and i want to practice sightreading the type of stuff ill be playing. Only problem is, i have no idea what sort of stuff choir accompaniment consists of. Will it just be chords and will Bach chorales be the best pracrice material?
Joplin is perfect for when you want to impress the musically ignorant at parties.-Shost
no singer can follow your rubato.
but you will be expected to follow theirs. wise words Timothy.
I will probably never understand how the accompanist can play an 8 bar intro perfectly at 96 BPM only to have the soprano enter at 72 BPM. Me on bass? I'm already in the second measure, getting glared at.
It needs to become a habit to read successfully and not treat every reading experience as a struggle riddled with hesitation and error. .