I want to learn the transcendental etudes because I could do it but it would be a challenge. my piano teacher says I'm advanced but that's not too difficult to achieve and she's pretty clueless when it comes to high level music. So would that be awesome if I learned the transcendental etudes or is that something plenty of people can do?
So would that be awesome if I learned the transcendental etudes or is that something plenty of people can do?
the mediocre student who faithfully pounds through simpler pieces of mozart or bach or czerny or scarlatti but plays it w utmost technique either slowly but musically, they turn heads. Trust me. These are not students of mediocre character though. because they know what music is all about.
My question to you is: does it matter? He is most probably young and if he likes showing off, then so what? As long as it's a motivation to pursue music then it shouldn't matter. Plenty of musicians, especially notable ones (hi Liszt), were focused on competition and showmanship during their early periods. Who knows, what if he also has a fundamental interest in exploring the technical possibilities of the instrument? I say let people carve out their own journeys in music and in life, there's no need to attack a person's character when you know little to nothing about them.We should put aside the judgmental attitude and focus on discussing the music instead.
There are different approaches to playing piano so don't listen to these people. If you love fast and energetic pieces then that's good for you, it doesn't make you any less of a musician then people who work on slow works. It's all about preferences, so don't listen to the people that say you "dont understand music" just because you enjoy energetic stuff.
Good, accurate and humerous to read.
because you know how we pianists just walk around thinking we are the bees knees--so confident in our abilities... that's why it's so easy to spot a faker... they are far too sure of themselves.
When I was getting my piano performance degree (way back in the late 1970's), I could not imagine a more neurotic and emotionally fragile group of people than the piano performance majors. I somehow managed to be somewhat less fragile, but make no mistake about it, I was my own worst critic and despite enjoying when I performed, the path to getting there was filled with self-doubt and lapses in both technical and musical confidence - call them chasms...