Seriously... Why did you post this again??? You already had a thread on not only this exact piece, but on this EXACT VARIATION???
EXCUSE ME???I hope you don't mean to infer that I am a troll,
No, he implied it--you inferred it!
Very well put, as his first post said nothing specific to my post.
It really irks me when people use poor grammar or spelling when insulting someone. One of my favorites is "Your a moran." Sorry, but I can't help you with your fingering problems. I saw Daniil Trifonov give a mind-blowing performance of those Variations a few months ago, but I was too far away to accurately gauge specific fingerings, plus I was just enjoying his playing!
I can barely reach a ninth, and not, as stated previously, a tenth.
Well, then don't slag me off for giving advice based off wrongful information.
Once again, I ask for information on point. And, once again, you troll.
My own point of view is as follows (for whatever it is worth):This particular variation is partly an exercise in "getting the sonic result you want, by any means you wish, even a little cheating is allowed".Factors that you have to work with: - The length of each trill - The number of reps and the declamation of each trill (e.g. a tiny pause after the first note of each trill - this seems good sonically, and it may make the execution a little easier) - Perhaps an occasional omission of the lowest note in the right hand - the fingering - your "ears", your sonic judgment !Regarding fingering: I think you have collected about as much info as there is out there. It seems obvious to me that given the difficulties of the passagework, different pianists will use different fingerings. No universal magic solutions for this variation.It appears to me that Yuja is using different solutions in different places in this variation.
Topic: Brahms Paganini Variations (Var. IV), Fingerings Suggestion 