-Oh, its like "what shall I eat today?", "which book should I read next?". ...
you are asking about a collaborative work but only listed a few solo pieces. what accompanying and chamber works have you played? are you using a 2nd piano to learn it and will that be the extent or do you have connections to an ensemble, discussion w /the conductor and accompanist are important, some concerti are ok until you try to put them together since the orchestra may struggle or synchrony may just be difficult and making the work as a whole harder that just what the piano part seems, some may be easier than the score might suggest as well.but given you listed solo pieces, here is a solo arrangement I absolutely love.
uhh... i don't even know how to use this... and i noticed that there is a "student's corner" so, I'm sorry...
Sorry if I was a little bit harsh. Now, If you want to play with others, well I suppose you are when you asks for pianoconcertos. However, I strongly recommend that you start with something smaller. Have you tried to accompanying an instrumentalist or a singer. Lots of singers are asking for a pianist. Even instrumentalists. -What about a pianotrio?Have you tried it?
Don't worry, and thanks for your answer..i have played Darius Milhaud: suite for piano, clarinet and violin, Duo concertante for clarinet and piano, Tartini: Didone Abbandonata, Saint-Saens: sonata for clarinet and piano. Also, it isn't that i WANT to play a piano concerto, but i HAVE to play a piano concerto for my degree exams..
-Ok. -So your school has an orschestra available?
No.. i will play with a second piano..
-I suspected that. -So whats the point whith a pianoconcert? -Ok, that question should be addressed to your teatchers/school management, I know, but isnt it somewhat stupid?
Go with a classical concerto to start with is a good common wisdom to follow, as to not overwhelm yourself with piano-orchestra relationship.Mozart's are nearly all approachable (some slow movements even sight readable), so they're good picks. Beethoven is also approachable with his first 3 concerti, just not the last two (and the third is still quite difficult). Good luck!
I'd stay away from it and most of the other Romantic concertos (Grieg is mid to late romantic), as it is quite technically difficult in many areas (and this is one of those pieces that really needs a more upbeat tempo to work well, I think). Also, it's played to death.