consult other editions and note if the score is the same between both versions.
you are discussing the left hand in isolation, but the music has things happening in the right hand, that context is important in analyzing the harmony, voice leading, secondary or implied mode shift/change.
if the score is correct then play as written if there are discrepancies between two editions, seek a third and see which it correlates to.
analyze the scale and harmony implied and frame it in a late romantic sort of lens to further figure out what needs to be done. I encounter score mistakes here and there and when no other reference is available (most recently an out of print 'rare' score I'm working with, so the theory led me to believe there was a printing or editing mistake since the harmony and scale 'had to ' behave in a certain way or it would be against the convention, period style, and normal writing for the composer)